摘要
把肢體的造形心智延伸到存在軀體的感覺，尋找自己內心未知的最初生命現象，從2010年開始創作「釋放｣的觀止與源起，透過人世間｢布言布語｣的展現拼貼自己藝術真實本質與現實生活情感，研究分析個人心象繪畫行為與心靈桎梏的解放過程，體悟盡情燃燒有限生命的「蛻變｣關係，加以分析探討及研究。 在創作的生命經驗中與身體的心靈串連在一起，以自己身軀試圖探索尋找內心深處情緒解放的方式，尋求一種減法的心理形象內化後，再生的將自己內心世界，呈現在畫作中與生活連結轉向一種存在焦慮的精神面向困惑的生命意義。 創作中探索外界的人、事、物中複雜的心理個體意識，如何被身體軀殼內化、反思、自省？渾沌的自我分析創作過程裡面，透過文獻裡的心理學理解自身現象，是心裡與生理相對的能源力量，自我觀察與描述，受壓抑靈魂的自由重整，解放、控制、放鬆、矛盾的創作行為產生變化之脈絡。
並列摘要
The theme of the master’s thesis is to extend the formation wisdom of limbs to the realm of physical existence and explore the unknown phenomenon of life inside the heart of the creator. The title of her 2010 exhibition, Observation Perception after Release and its Origin as well as the following one, Patchworks’ Language demonstrated the essence of the creator’s artworks and the emotions of her daily life. The exhibitions also made further analysis and research on individuals’ mental images via painting behavior and the release of mental restraint to comprehend the reform process with one’s limited lifespan. From her experience of creation, the creator tries to unite physical and mental parts together. The creator seeks the way of release from her innermost emotion and pursues an internalization of mental image with simplified life style. Like a revival of her life, such exploration is presented in her artworks which lead to the aspects of anxiety of existence and the confusion of life meaning. The persons, events, and complicated individuals’ mental consciousness involved in her creation and how they are internalized to make further self-examination and introspection are included in her artworks. The self-analysis with chaos, the self-understanding phenomena through psychology, the contrast of energy between mental and physical parts, the self-observation and statement, reform of freedom of the oppressed souls, release, restraint, and paradox coved in her creation, all of them reflect the thread of thoughts for the creator’s artworks.