- 學位論文
從榮格的人格面具談暴力美學的漫畫創作-以《面具破裂後的世界》為例
Exploring the Aesthetics of Violence in Comic Creation from Carl Gustave Jung's Persona Theory - A Case Study of "The World After the Mask Breaks"
摘要
人的心理都有正面與負面，往往顯露出來的都是好的自己，黑暗面的自我則隱藏起來。在現代生活中，人們為順應社會所產生各種「面具」之外在型態，面具會潛意識壓抑負面狀態，且可能引導人產生暴力行為，榮格稱之為人格面具（Persona）。本創作將是暴力美學與人格面具為創作的核心概念，以漫畫為媒介表現個人對於負面情緒的視覺語彙。本創作研究首先搜集漫畫、暴力美學與人格面具相關知識，並利用內容分析法和符號學進行暴力美學漫畫分析，以伊藤潤二《富江》作為案例研究，結合暴力美學電影作品《香水》與《寄生獸》的敘事與符號意義，將上述的知識與技法融入於創作之中，轉化成《面具破裂後的世界》漫畫創作故事內容與圖像表現。最後透過分析《面具破裂後的世界》故事與表現技法等，給予未來欲了解暴力美學與創作暴力美學作品者作為參考。
並列摘要
The psychological aspects of human beings encompass both positive and negative elements. Often, individuals usually display their favorable traits while concealing their darker selves. In modern life, people develop various "masks" as external forms to adapt to societal expectations. These masks may unconsciously suppress negative states and potentially lead to violent behaviors, which Carl Gustave Jung calls the "Persona." The core concept of this creative work revolves around the aesthetics of violence and the Persona, utilizing comics as a medium to express an individual's visual vocabulary concerning negative emotions. This study collects knowledge related to comics, the aesthetics of violence, and the Persona. Content analysis and semiotics are applied to analyze comics that incorporate violent aesthetics. Junji Ito's "Tomie" serves as a case study, with the narratives and symbolic meanings of violent aesthetic films "Perfume: The Story of a Murderer" and "Parasite" integrated into the research. The acquired knowledge and techniques are then incorporated into the comic work of "The World After the Mask Breaks," transforming the story's content and graphic expressions. Finally, by analyzing the story and expressive techniques of "The World After the Mask Breaks," this study aims to provide a valuable reference for those interested in understanding and creating works within violent aesthetics.