摘要
摘要 本論文研究以「風景中的非風景」為主題探討，從對土地關懷的視角來描繪大地、海岸風景的變化， 進而思考人類活動與自然的互動下，環境變動所形成的各種現象與狀態 。 在快速節奏現實生活中存在著種種無法排解的壓力，走出戶外接觸大自然為筆者暫時逃避壓力的方式之一，山上海邊是人類休閒、舒壓的地方，身歷其中聽大自然間的聲音、空氣、風，讓疲憊的身軀得以休息 更是心靈棲息的所在，進而並拍攝風景做為生活紀錄及回顧觀賞，然而翻閱累積多年記錄的影像串連， 照片中的景色隨著時間的流逝變化，似已被改變 了樣貌，海岸自然風景已被近年來的人工消波塊所佔據，風景已不再是多年前的自然風景。因此藉由繪畫及複合媒材創作加以詮釋人造物存在於自然環境的狀態。 本論文書寫「風景中的非風景」是筆者與人造物水泥消波塊形態接觸互動下所產生的視覺感受，以此為第一章緒論透過環境探索認識了解尋找相關知識內容，研究創作動機、研究創作目的、研究方法、名詞義、創作架構；第二章文獻探討透過自然觀與美學觀及環境與異化，東、西方繪畫中的風景對不同時代風景及藝術家在風景中空間所傳達表現的探討，啟發創作方向，建構出個人創作脈絡，第三章創作理念、媒材技法，以掌握個人創作方向，透過不同技法與色彩，藉由主題反映人類所處時代的面貌。 經筆者踏查、思考與創作實踐，梳理人 工物與自然環境的關聯性，繼而讓觀者透過自然環境與非風景人工物的關懷與反思，使作品的意涵能影響人們，進而反思自我的創作脈絡和未來發展方向。 關鍵詞：非風景、土地關懷、人造物、消波塊
並列摘要
ABSTRACT This study is "Inspiration of the Landscape", depicting the changes of the land and coastal scenery from the perspective of land care, and thinking about the phenomenon and state of environmental changes under the interaction between humankind and nature. In the fast paced life, there are various unresolved pressures. The author walks out of the outdoors to contact nature due to pressure, which is one of the ways for the author to temporarily escape the pressure. Coastal areas are places for humans to relieve stress. Through immersing in the environment, hearing the sounds of nature, air, and wind, let the tired body rest and it is where the soul resides. I also took the photos as a life record and review, but the photos recorded over the years are cascaded, and the scenery in the photos has changes over time. In recent years, the coastal natural scenery has been occupied by artificial wave breakers, and it is no longer the natural scenery many years ago. Therefore, through painting and composite media creation, and interpreting the state of man made objects in the natural environment. The “Inspiration of the Landscape” in this study is the visual experience of the author and the man made cement wave breaker. Chapter 1: Introduction, searching for relevant knowledge through environmental exploration, researching motivation, purpose, V methods, noun definitions, and creative structure. Chapter 2: Literature review, through the view of nature, aesthetics, environment and alienation, the landscapes in different eras of Eastern and Western paintings, and the artist's exploration of the space in the landscape, that to inspire creative direction and construct personal creative style. Chapter 3: Creation concept, media techniques to direct the personal creation, and reflect the face of the era in which mankind lives, through different media techniques and colors. After the investigation, thinking and creative practice, I sort out the relationship between man--made objects and the natural environment, then let the viewers care and rethink the natural environment and non--landscape artifacts, so that the work can affect people, and then rethink on my creative style and future direction. Keywords: Non--landscape,Land care﹐﹐Man--made﹐﹐Chopping block