- 學位論文
舒伯特聯篇歌曲集《冬之旅》選曲 <菩提樹>、<春之夢>、<路標>、<老樂丐> 之演出詮釋報告
Performance interpretation of “Der Lindenbaum”, ” Frühlingstraum ”,” Der Wegweiser ”, ” Der Leiermann”from Franz Schubert's Winterreise
摘要
「藝術歌曲之王」舒伯特豐富多元的樂曲創作，吸引我用讚嘆的角度加以詮釋。 「潘兆鴻獨唱音樂會」以舒伯特聯篇歌曲集《冬之旅》選曲<菩提樹>、<春之夢>、<路標>、<老樂丐>之演出詮釋報告。聯篇歌曲集《冬之旅》創作意涵與背景內容進行初探，而繆勒、舒伯特兩個人所碰觸的火花，創造出永垂不朽之名作；套曲基調表現憂傷，突顯孤獨痛苦之主題，又能感受到舒伯特執著追求美好，嚮往理想生活的內心世界。 這四首歌曲，鋼琴伴奏音型經過截然不同的規劃，伴奏與歌唱旋律傳達之詩意濃郁，大小調、語音雙韻、特殊強弱音之變化，呈現出與眾不同的起、承、轉、合，這些探討一再應證舒伯特「藝術歌曲之王」的雅號，四首歌曲分析後，證明研究的重要價值且收穫良多，也幫助筆者充實演唱詮釋之內涵。
並列摘要
Schubert is known as "the king of art songs." His rich and diverse musical creation attracted me to interpret with perspective admiration. "Pan Zhao-hong solo concert" selected tracks from Franz Schubert's song cycle " Winterreise" < Der Lindenbaum , NO：5 >, < Frühlingstraum , NO：11 >, < Der Wegweiser , NO：20>, < Der Leiermann , NO：24> and the repertoire offered the explanation of performance reports.The author studied the connotation of the song cycle created by Wilhelm Müller and Schubert, trying to find the creation implications and background content of the immortal masterpieces. The song cycle shows basic sad tone and highlights the theme of lonely pain in which Schubert was in pursuit of the inner world of an ideal life. The piano accompaniment figurations in these four songs present different plannings, accompaniment and singing melodies conveying rich poetic, major and minor tonality changes, voice double rhyme, and the special strength of volume changes. These discussions should prove repeatedly Schubert's nickname of " the king of Art Songs ". In this study, it is proved of great value and gain a lot of research, but also help the author enrich the connotation of the concert interpretations.