- 學位論文
莫札特歌劇《女人皆如此》德絲皮娜二首詠唱調之分析與演唱詮釋
The Analysis and Vocal Interpretation of Two Despina's Aris In Mozart's Opera“ Cosi fan tutte ”
摘要
莫札特擅於刻劃人物，並將其結合於音樂中，他的美妙旋律與戲劇性的表現，達到音樂與戲劇完全融合為一。本詮釋報告透過莫札特喜歌劇《女人皆如此》，探討女僕德絲皮娜，她雖然不是要角，但是她穿針引線的角色，卻具關鍵性。尤其她有許多愛情的「教條」，看得出她能言善道很「會說教」，難怪兩姊妹會被她說服。莫札特針對德絲皮娜的說教、說服能力，在兩首詠唱調〈在男人、軍人身上〉、〈一個十五歲的少女〉中以弱起拍、附點、大跳、同音反覆等音樂設計展現，並經常將一個短樂句以重覆、對稱句或模進手法形成大樂句，充分呈現出德絲皮娜喋喋不休說教的神情。而從樂段、拍號、演奏速度和調性的音樂設計比較看來，兩首詠唱調有明顯的情緒和氣氛上的不同。
並列摘要
Mozart skilled carved figures, and their combination in the music, his melodies and dramatic performance, fully integrated as a reach of Music and Drama.The interpretation of the report tutte by Mozart's comic opera“Cosi fan tutte”and explore the maid Despina, although she is not an important player, but her go-between role, but immaterial. In particular, she has a lot of love“dogma”, to see that she is able to articulate "preaching" is no wonder that two sisters convince her. Mozart for Despina's preaching, to convince the ability to chant in two arias “In uomini in soldati ”,“Una donna a quindici” anni in the weak beat, dotted, fauna, homophone repetitive music designed to show; and often will be a short phrase repeated and symmetrical sentence or molded into the way the formation of large phrases, fully showing the look of Despina chatter preaching. Two chant tune from the music section, shoot, play speed and tonality of the music, the design seems different on mood and atmosphere.