應用仿生設計於產品設計之研究-以四項生活用品創作為例

近年來工業的快速發展而汙染了自然環境，現今人們因氣候變化異常而發覺自然的反撲進而提倡回歸自然。本研究以仿生思維融入人類日常的生活用品，因自然界充滿讓人類模仿的智慧，藉此達到人與自然暨產品間和諧共生。而現今的仿生設計未有明確且簡明的設計流程，所以研究者試以本研究研擬出適用於仿生設計的進程。為了追求人類與自然的和諧，欲藉由仿生設計的領域來探討其淵源與內涵，並依據人類的思維與認知特質，從整體分析與論證中衍生出仿生原則與意涵，且透過分析整理的資料規劃出完善的仿生設計流程並給予後續研究者更多資訊。人們與生活用品最為貼近，除了想嘗試轉化自然資源的意象作為發展設計創作的媒材，以有機物之特徵將其轉化，將仿生設計之意涵導入生活用品中。具有設計內涵，讓此作品與人們產生共鳴，傳達維護自然之深層涵義與使用者。本研究之成果分為四組共二十件作品，著重於自然與產品與人達到和諧共生，也傳達更深層理念給使用者，使人們更接近自然、愛護自然達到和諧共生之目的。

關鍵字

仿生設計；生活用品；設計創作

並列摘要

The rapid development of industry has polluted the natural environment in past years. Concerning the climate change, modern people therefore advocate returning to the nature. Bionics theory is integrated into daily necessities in this study, tending to achieve the harmonious coexistence among human beings, the nature, and products with the intelligence in the nature. There has not been a definite and simple design procedure for modern bionic design that the process applicable to bionic design is investigated in this study. Bionic design is applied to discuss the origin and meaning of the harmony between human beings and the nature. Besides, the bionic principles and implications are derived from the overall analyses and proof, according to human thought and cognition properties. A perfect bionic design procedure is further planned with such analysis data for successive research. Daily necessities are the closest to people. In addition to transforming the image of natural resources into the design materials, organic characteristics are transformed for introducing the implications of bionic design into daily necessities. The design meaning has the works appeal to people and deliver the deep implication of natural maintenance to the users. Twenty works in four groups focusing on the harmonious coexistence among the nature, products, and human beings are accomplished in this study. They also deliver deeper ideas of being close to the nature and protecting the nature for the harmonious coexistence to the users.