- 期刊
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當代傳統、自由未來：從陳豪毅的阿美家屋論傳統藝術在當代的雜揉重生
Contemporary Tradition and Boundless Future: Inquiring into the Hybridity and Revival of Traditional Art and Culture in Contemporary Settings through Akac Orat's Pangcah Traditional House
摘要
當社會變遷，傳統藝術的外在環境已失去，持續與傳統的再連結其意義何在？族群傳統藝術的學習與復振，在日新月異的當代社會如何產生新的價值？本文以藝術家陳豪毅的作品《Fasulan／蓆地》所揭開之矛盾為引，將依序探討傳統藝術與傳統文化在當代延續之處境、動態的文化觀，以及包括「知識體系建構」和「原住民未來主義」兩個概念的傳統藝術與文化在當代的積極道路。之後，以陳豪毅在臺東家鄉麻荖漏部落所進行之「Malacecay阿美傳統家屋構築」計畫為例深入分析，試著勾勒出一個多元文化社會中的當代文化想像，提供藝術教育者甚至藝術家，在教學上，在創作中，回應多元族群現實，權衡拿捏傳統與當代之間的一個思想參考。
並列摘要
When society undergoes change and the external environment of traditional art is lost, what is the significance of continuing reconnect with tradition? How can the study and revival of ethnic traditional arts generate new value in ever-changing contemporary society? Taking the paradox revealed in the artist Akac Orat's work 'Fasulan/The Mat' as a starting point, the author sequentially explores the contradictions of traditional art and culture under contemporary circumstances, delving into dynamic cultural perspectives. Additionally, the author discusses two proactive ways to adapt traditional art and culture in contemporary settings, namely through knowledge systems and Indigenous Futurisms. After that, the author conducts an in-depth analysis of Akac Orat's 'Malacecay Pangcah Traditional House Construction' project in the artist's home village, aiming to paint an imaginative picture of culture. This serves as a valuable reference for artists and art educators to respond to the inheritance and innovation of traditional art and culture in contemporary times.