透過您的圖書館登入
IP:3.145.86.137
  • 期刊
  • OpenAccess

景泰藍與東西方工藝混搭風

The Jingtai Cloisonné and the Synthesis of Eastern and Western Crafts

摘要


本文探討景泰藍工藝的歷史、發展及對文化的深遠影響。首先,對景泰藍的名稱來源深入闡釋,「藍」字可能源自琺瑯一詞的語音相似性,或因其器物的藍色底色而得名。這種藍色在古代象徵著皇室和貴族的高貴和吉祥。景泰藍色的精製過程,包括琺瑯粉料的運用和高溫燒結技術,實現其鮮明、生動和多彩的視覺效果。此外,本文重新爬梳景泰藍工藝的歷史,從其古代應用起,特別聚焦在元、明、清時期的演變。元朝時,景泰藍工藝或許受到外部文化影響,但在明代的景泰年間達到巔峰,成為宮廷藝術的代表。清朝時,景泰藍工藝逐漸普及至民間,擴展至國際市場。總之,東西方文化的相互影響景泰藍工藝,技術的傳播促進創新,包括對古代藝術作品的仿效和西方元素的融合,都突顯了這門工藝對東西方文化的深遠影響。

關鍵字

景泰藍 掐絲琺瑯 東西方交流 工藝 創新

並列摘要


This article undertakes an in-depth examination of the historical trajectory, developmental dynamics, and far-reaching cultural ramifications of cloisonné enamel craftsmanship. Commencing with a meticulous elucidation of the etymology of "cloisonné," this investigation contemplates the potential phonetic linkage to the term "琺瑯" (fá lào) or its nomenclature grounded in the prevalent utilization of blue as the foundational hue for these artifacts. In antiquity, this azure tint was emblematic of the aristocracy, signifying regal nobility and luxury. The painstaking refinement process associated with cloisonné enamel is scrutinized, encompassing the judicious application of enamel powders and the employment of high-temperature sintering techniques to actualize its vivid, animate, and variegated visual manifestations. Furthermore, this study undertakes an exhaustive exploration of the historical continuum of cloisonné enamel craftsmanship, commencing from its origins in ancient applications, with particular emphasis directed towards the evolutionary trajectory during the Yuan, Ming, and Qing dynastic epochs. The Yuan Dynasty witnessed the potential influence of external cultural currents on the cloisonné enamel craft, but its zenith was attained during the Ming Dynasty, wherein it burgeoned into a quintessential representative of courtly artistic expression. Subsequently, in the Qing Dynasty, cloisonné enamel gradually disseminated to the broader populace and expanded its purview to encompass international markets. Lastly, this discourse deliberates upon the symbiotic interplay between Eastern and Western cultural spheres and the diffusion of cloisonné enamel craftsmanship. In brief, the innovative facets intrinsic to cloisonné enamel artistry encompassing the emulation of venerable artistic oeuvres and the amalgamation of Western elements exactly showcase the profound cultural imprint engendered by this craft on both regional and global scales.

並列關鍵字

Cloisonné Enamel East-West Exchange Craftsmanship Innovation

參考文獻


倪晶瑋、王佳涵(2009)。〈明清時期琺瑯器、家具與建築中之抽象紋飾〉。《設計學研究》,12(2),69-101。https://doi.org/10.30105/JDS.200912.0004
De Corselas, Parada López Manuel, and Alberto A. Vela-Rodrigo (2021), “Cultural Hybridization in Christian China: The Art of Cloisonné at The Service of God,” Religions 12:1103. https://doi.org/10.3390/rel12121103
〈景泰藍〉,《維基百科》Retrieved 06:11, June 30, 2023。
〈搪瓷〉,《維基百科》Retrieved 07:11, June 30, 2023。
李麗紅 (2020)。《琺瑯精工:琺瑯器與文化之特色》,臺北市:崧燁文化出版發行。

延伸閱讀