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摘要


身體的「穿衣打扮」和城市的「穿街走巷」有何關連?建築的「穿堂過屋」又與文學敘事的「穿針引線」有何糾葛?本篇論文企圖思考如何由穿衣的「體感」經驗來「體現」城市,嘗試建構出一套有關「衣文本」的城市居住與穿著理論。將分別以張愛玲的〈紅玫瑰與白玫瑰〉、朱天文的〈世紀末的華麗〉與朱天心的〈古都〉為例,展示三位女作家城市-身體的體感經驗,如何與空間肌理、瑣碎敘事相互交織。此種閱讀方式正是企圖在城市文學傳統的大論述框架下(城/鄉對立、城市與國族認同、城市與全球現代性等),另闢蹊徑,讓城市不再僅以背景(街道、高樓等地標或電車、火車等運輸工具)、主題、象徵符號的方式被「再現」(represented),而是以身體記憶與空間感知的方式被「體現」(embodied),讓城市不再只是「隱喻」(強調相似、認同、深度與意義的達成),更是「轉喻」(展開毗鄰、連結、貼近的表面意符流動與身體想像),讓城市的「認知繪圖」也是「感官地理」。

並列摘要


What would be the possible connection between dressing through the body and walking through the city? How could the space of architecture/architexture be interwoven with literary narratives? This paper attempts to think through the "clothed" body-city by exploring the "haptic" experience of wearing, dwelling and walking in urban modernity. It will read through three major texts-Eileen Chang's "The Red Rose and the White Rose," Tien-wen Chu’s "Fin-de-Siècle Splendor," and Tien-hsin Chu’s "The Ancient Capital"-to map out the spatial text/texture/textile/textuality of both the embodied city and the urbanized corporeality. Instead of following the tradition of urban literature which tends to read the city as chiefly the "abstract" background of the rural/urban confrontation, national identity formation or global homogenization, it endeavors to trace bodily memories and e-motions through the details of habit/habitus/habitation fashioning and fashioned in urban life styles. It will argue that the multiplicity of the body-city fabricated by these three women writers is more a metonymical "surface" of proximity, contiguity and contact than a metaphorical "depth" of similarity, identification and meaning. Its openness and fluidity makes the haptic experience of urban writing and reading a perfect turning of cognitive mapping into sensuous geography, of the represented cityscape into the embodied fashionscape.

參考文獻


WalterBenjamin,Benjamin(1978).Reflections.
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PierreBourdieu,Bourdieu(1977).Outline of a Theory of Practice.
Bruno, Giuliana(2002).Atlas of Emotion: Journey in Art, Architecture, and Film.
Irigaray, Luce(1992).Elemental Passions.

被引用紀錄


陳俊彥(2008)。我的萬象之城—建構陳俊彥的失敗者紀念地〔碩士論文,淡江大學〕。華藝線上圖書館。https://doi.org/10.6846/TKU.2008.00205
黃正嘉(2011)。全球化城市的跨界想像:從當代臺北城市書寫談起〔碩士論文,國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342/NTU.2011.00758
林修合(2010)。市中心區文化導向的都市再生-以臺中市博物館-綠園道專區為例〔碩士論文,國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342/NTU.2010.01200
陳姿瑾(2009)。女�城:論90年代以後臺北城市文化變遷與「新世代」女性小說家〔碩士論文,國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342/NTU.2009.03227
林美伶(2008)。消逝中的府城文化記憶--以許地山、葉石濤和陳燁為論述場域〔碩士論文,國立中央大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0031-0207200917354041

延伸閱讀


  • 刘恺璇(2020)。女人花蕉風(514),40-43。https://www.airitilibrary.com/Article/Detail?DocID=01266608-202011-202112020010-202112020010-40-43
  • 陳玉秀、林容伊、林致諺、高于鈞(2018)。花事‧閑情—品味花器與生活特展故宮文物月刊(428),14-30。https://www.airitilibrary.com/Article/Detail?DocID=NPMM10119078-201811-202001050108-202001050108-14-30
  • 汪書毓(2013)。花的民俗文化研究〔碩士論文,國立臺北藝術大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0014-1509201313400300
  • 应可福(2008)。Thinkings of the Problems from the Innovative City Construction。載於國立勤益科技大學管理學院(主編),管理學術研討會(頁747-752)。國立勤益科技大學管理學院。https://doi.org/10.29893/NCUTMAN.200806.0747
  • Chiu, S. L. (1989). Living in the community [master's thesis, The University of Hong Kong]. Airiti Library. https://www.airitilibrary.com/Article/Detail?DocID=U0029-1812201200008292

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