數位典藏到策展的公共加值：中研院「開放博物館」之圖書館數位策展設計與議題觸發

Public Added-Value through Digital Collection to Curation: Digital Curatorial Design and Topics Triggered in the Library of "Open Museum" of Academia Sinica Center for Digital Cultures

解昆樺(Hsieh Kun-Hua)

《臺北市立圖書館館訊》 37卷1期 (2023/06) Pp. 46-59

摘要

隨著數位典藏走向數位應用，數位策展成為數位典藏加值的要項，在圖書館推展公眾知識習得上更成為重要切入點。就公共圖書館之專業館員來說，數位策展在技術面上，由於Web2.0的概念提出與技術提升，以及可技術分工，使得數位策展在有限人力與資源限制的現實前提下，更聚焦在如何進行企劃選題。依此問題意識，本論文以深具數位「典藏權」、「詮釋權」與「創作權」精神，並有豐碩數位公眾成果之中央研究院數位文化中心「開放博物館」為研究對象，探述圖書館在其中數位策展所觸發之議題。可以發現「圖書館」在「開放博物館」數位策展成果中，有作者與協作者的層次差異。在作者層次中，圖書館作為主要策展人，發展出策展以大學校史、生態、醫療文獻、拓片善本四個策展類型；在協作者層次中，圖書館作為資料提供者，發展出音樂聲響、繪畫電影兩大策展類型。由此，公共圖書館未來在數位策展的發展實務推動上可以：1.依前述數位策展議題作為設計發想起點進行續進。2.專注於特色館藏與在地連結之經營，以發展館方特色數位策展。3.研擬「開放博物館」之數位策展工具的館員培訓課程，培養館員數位策展基礎工具技術。

關鍵字

數位典藏加值應用 ； 數位策展 ； 開放博物館 ； 公共圖書館 ； 策展議題設計

並列摘要

As digital collections move toward digital applications, digital curation has become a key value-added element to digital collections and also an important entry point for libraries to promote the public's acquisition of knowledge. In terms of technology, digital curation focuses more on how to plan and select topics for professional librarians in public libraries due to the concept of Web 2.0 and its technological advancements, as well as the technical division of labor, under the realistic premise of limited labor and resource constraints. With this awareness of the problem, this paper takes the Open Museum of Academia Sinica Center for Digital Cultures, which not only has possessed the spirit of digital "collection rights," "interpretation rights" and "creation rights" but has also earned rich digital public achievements, as the case study to explore the digital curation and topics triggered by the library. From the research, it can be observed that there are differences between the levels of authors and collaborators among the digital curatorial achievements of the Open Museum in the library. At the author level, the library serves as the main curator and has developed four curatorial categories: university history, ecology, medical literature, and rubbings. At the collaborator level, the library serves as a data provider and has developed two major curatorial categories: music and sound, and painting and film. Therefore, the future development of digital curation in public libraries can be promoted by: 1 ) Continuing with the aforementioned digital curation topics as the starting point for design development; 2) Focusing on the management of special collections and local connections to develop the unique digital curation of the library; 3) Developing a training course on digital curation tools for the Open Museum to cultivate the basic tool skills of digital curation for librarians.

並列關鍵字

value-added application of digital collections ； digital curation ； open museum ； public library ； curatorial topic design

參考文獻

立法院（n.d.）。圖書館設立及營運標準。Retrieved May 21, 2023。取自全國法規資料庫 https://law.moj.gov.tw/LawClass/LawAll.aspx?pcode=H0080093

阮明淑、林浩欣（2002）」。公共圖書館與知識產業的發展關係研究。臺北市立圖書館館訊，24（4），43-55。

O’ Neill, P. （2012）. The culture of curating and the curating of culture（s）. Cambridge, MA: The MIT Press.

Rosenbaum, S. （2011）. Curation nation: How to win in a world where consumers are creators. New York: McGraw-Hill.

Bhargava, R.（2012）. How Curation Could Save The Internet. Communication World, 29（1）, 20-23.