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再識王國維:新詩形而上寫作的旗幟

Wang Guowei: the Banner of the Philosophical Spirit of "China's New Poetry"

摘要


王國維的詩學觀念打破了中國傳統的「天人合一」思想,認為詩歌的本質是表現真理。這種真理不是社會真理,而是形而上的真理。中國新詩在發展過程中拋棄了傳統詩歌意境,其主流哲學趨向正是西方哲學意義上的形而上精神,這一趨向正是王國維所宣導的。王國維的詩學思想雖然在新詩誕生前就產生了,但它表達的是現代精神,應屬於廣義的新詩。新詩的哲學精神雖然從黃遵憲、魯迅等就開始探討了,但王國維對這一精神的探討最早、思考最成熟。由於王國維詩學觀念的尖銳性和純粹形而上品質,至今少有人注意,但他事實上已成為中國新詩形而上寫作的精神旗幟。

關鍵字

王國維 新詩 形而上 旗幟

並列摘要


Wang Guowei's poetic ideas break the traditional "Heaven" idea of China and hold that poetry's essence is telling the truth. This truth is not a social truth but a metaphysical truth. China's New Poetry abandons the traditional artistic conception in development process. Its mainstream is the metaphysical spirit of the western philosophical. This spirit was advocated by Wang Guowei. Although Wang Guowei's poetic thoughts had been produced before China's New Poetry came into being, but they were an expression of modern spirit and should belong to the broad poetry. Although the philosophical spirit of New Poetry was also explored by Huang Zunxian and Lu Xun, but Wang Guowei's exploration was the earliest and the most mature. Because of the sharp and the purely metaphysical quality of Wang Guowei's poetics concept, so far few people pay attention to it. But he has become the spirit banner of the metaphysical writing of China's New Poetry.

並列關鍵字

Wang Guowei China's New Poetry Metaphysic Banner

參考文獻


周振甫(1991)。周易譯注。北京:中華書局。
吳重陽(1982)。冰心論創作。上海:上海文藝出版社。
楊匡漢、劉富春(1985)。中國現代詩論。廣州:花城出版社。
潘頌德(2002)。中國現代新詩理論批評史。上海:學林出版社。
顧城(2005)。顧城文選。哈爾濱:北方文藝出版社。

被引用紀錄


Huang, C. Y. (2006). 把「異域」的明見告「鄉親」:彌爾頓與《失樂園》在二十世紀初中國的翻譯�重寫 [doctoral dissertation, National Taiwan University]. Airiti Library. https://doi.org/10.6342/NTU.2006.00583

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