生存處境的重構：殷海光旅遊敘事的文化批判

Reconstruction of Survival Situation: Cultural Criticism of Yin Hai-guang's Travel Narration

林淑慧(Shu-hui LIN)

《哲學與文化》 48卷9期 (2021/09) Pp. 115-129

摘要

遠遊隱含哲學批判所不可或缺的距離，旅人因處於非常的時空，激發當下回顧以往，修正其人生觀，抉擇未來生命的方向。殷海光1955年以訪問學人身分所撰寫的旅遊敘事，不僅具生命重構的意義，亦隱含於臺灣戒嚴時期體制下的文化批判。從殷海光刊載於《自由中國》、《祖國周刊》及《雜憶與隨筆》、《殷海光．夏君璐書信錄》的旅遊敘事，詮釋空間的隱喻與象徵、自我敘事的生命重構。不僅藉由東京影射政治權力介入大眾媒體，又以美國西雅圖華盛頓湖畔等空間，呈現嚮往自由的隱喻與生存處境的象徵。因回憶旅遊過程與人互動相繫、關懷多元他者的困苦，而兼具外推的倫理向度。閱讀殷海光的旅遊敘事，讀者參與形成中的自我敘事，且深刻感受特殊時代的生存處境。

關鍵字

旅遊敘事 ； 空間隱喻 ； 生命重構 ； 再現 ； 文化批判 ； 殷海光

並列摘要

Traveling faraway implies an indispensable distance for philosophical criticism. Travelers are in a unique time and space, which inspires them to review the past at that specific moment, revises their outlook on life, and makes them choose the direction of future life. The travel narrative written by Yin Hai-guang as a visiting scholar in 1955 not only has the meaning of life reconstruction, but also implies cultural criticism under Taiwan's martial law system. From the travel narrative of Yin Hai-guang published in ＂Free China＂, ＂Motherland Weekly＂ and ＂Miscellaneous Memory and Essay＂, ＂Correspondence between Yin Haiguang and Xia Jun-lu＂, we find the metaphor and symbol of space and the reconstruction of life in self-narrative. Not only did he insinuate Tokyo's political power intervention in mass media but also presented the shore of Lake Washington in Seattle, USA as the metaphor of longing for free space and the symbol of the living situation. Because it recalls the travel process and the interaction with people, caring for the hardships of numerous others, it also has extrapolation with ethical dimensions. Reading Yin Hai-guang's travel narrative, readers participate in the formation of self-narrative, and deeply feel the survival situation of the special era.

並列關鍵字

Travel Narrative ； Spatial Metaphor ； Life Reconstruction ； Representation ； Cultural Criticism ； Yin Hai-Guang

參考文獻

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Shuhui Lin. “Application of Taiwan’s Human Rights-Themed Cultural Assets and Spatial Information,” Volume Complexity 2020(2020.5): 1-11.

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