現代詩的詩形結構探究

Research on the Poetic Structure of Modern Poetry

潘麗珠(Li-Zhu Pan)

《教學與研究》 18期 (1996/12) Pp. 1-15

https://doi.org/10.6250/TR.1996.18.1

摘要

中國現代詩人究竟依據什麼將詩句分行？詩句文詞放在什麼位置較適當？不同的詩形是否塑造不同的趣味或效果？本文的探究，正是由上述的疑問開展而來。現代詩的詩形布置（詩行安排），必然對讀者造成視覺衝擊和影響語意理解，因為文字本身是一種視覺符號，吾人閱讀一首詩篇時，文字前後的關係性、其所擺放的位置，將成為決定意義關係及引起聯想的基礎，因此詩形的探究對創作者和批評者而言，皆有其必要性。本文以洛夫、方旗、趙天儀、余光中、游喚、羅門、白葦和筆者的一首詩為例，進行分析詮解，嘗試提醒現代詩作「表達形式」和「內容形式」統一、時間經驗和空間經驗結合的幽微之處。

關鍵字

現代詩 ； 詩形 ； 結構

並列摘要

What are modern Chinese poets based on to arrange the poem lines? What parts should they place suitably? Does different poetic structure create various vogue or effect? This writing is following these questions mentioned above. The readers' visialization and semantic understanding might be affected by the arrangement of modern poetic structure. After all, the words (Chinese charachers) are a kind of visual denotation. When we read modern Chinese poems, we will find out the meanings and create the association in minds basically according to the context between lines and the arrangement in texts. Consequently, this research done would be very necessary for poems creators and critics.Taking each poem of these poets : Luoh-fu (洛夫) , Fang-chyi (方旗), Jaw Tian-yi (趙天儀), Yu Guang-jong (余光中), You Huang (游喚), Luo Men (羅門), Bair Woei (白葦) and writor for example to do this resrarch, then trying to unify the expression formal and the context formal, and at last getting the serenity of poetry seclusion from union of time and space experience are the purpose of this writing.

並列關鍵字

Modern Chinese Poem ； Poetic style ； Poetic Structure