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文學作為「搵學」:陳黎詩中的文字灘塗

Literature as Lituraterre: The Literal Littoral in Chen, Li's Poetry

摘要


本文通過拉岡對於「搵學」及其相關概念的闡述,探討陳黎詩如何通過文字意義上的塗抹、廢棄等策略來建立新的詩學範式。陳黎的許多詩作經由對漢字的創造性或破壞性處理,瓦解了原有的符號構築。可以說,陳黎精妙地體現了拉岡理論中對文字的絕爽意味的揭示,並通過對於創傷性絕爽的鋪展,挑戰了神聖符號的壓迫。

關鍵字

陳黎 拉岡 搵學 灘塗 絕爽 文字/文滓

並列摘要


This essay examines, in light of Lacanian theory of lituraterre, how Chen, Li's poetry establishes a new poetic paradigm with the strategies of smearing and littering in the field of Chinese characters/letters. Chen, Li often undermines the original symbolic construct by his (de)constuctive work on Chinese characters. That is to say, Chen, Li's poetry reveals Lacan's concept of jouissance, and challenges the divine symbols through his development of the traumatic enjoyment.

並列關鍵字

Chen Li Lacan Lituraterre Littoral jouissance letter/litter

參考文獻


奚密:〈本土詩學的建立:讀陳黎《島嶼邊緣》〉,收入王威智編:《在想像和現實間走索:陳黎作品評論集》(臺北:書林出版社,1999 年),頁 163-174。【Xi, Mi.“Ben Tu Shi Xue De Jian Li: Du Chen, Li Dao Yu Bian Yuan,”in Wang, Wei-zhi ed., Zai Xiang Xiang He Xian Shi Jian Zou Suo: Chen, Li Zuo Pin Ping Lun Ji, pp. 163-174. Taipei: Bookman Books Co. Ltd., 1999】DOI:10.6637/CWLQ.1995.24(4). 104-137
Jacques Lacan. On Feminine Sexuality, the Limits of Love and Knowledge, The Seminar of Jacques Lacan,Book XX, Encore 1972-1973 (New York: W. W. Norton, 1999).
Jacques Lacan, Le Séminaire XVI: D'un Autre à l'autre (Paris: Seuil, 2006) , p.11.
Paul de Man. Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism (Minneapolis:University of Minnesota Press, 1983) , pp.187-228.
南宋‧辛棄疾:《稼軒詞編年箋注》(上海:上海古籍出版社,1978 年)。【Xin Qi-ji, Jiaxuan Ci Bian Nian Jian Zhu. Shanghai: Shanghai Classics Books Publishing House, 1978】

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