透過您的圖書館登入
IP:3.17.37.161
  • 期刊

第二次世界大戰後美國抽象繪畫的研究史

The State of Research in Postwar American Abstract Painting

摘要


本美國抽象繪畫從四〇年代至八〇年代歷經抽象表現主義、極限主義、新幾何與新抽象等等畫派。本文從方法論的角度切入,評析現代主義、後現代主義、(後)結構主義、社會主義、記號學、心理分析及女性主義等等藝評家與學者詮釋這些畫派特色與演變的重要理論架構與研究成果。

並列摘要


This article investigates the state of research in American abstract painting from the forties to the eighties, includes Abstract Expressionism, Minimalism, Neo-Geo, and New Abstraction. It analyzes and criticizes the theories and the practices of art critics and historians on postwar American abstract painting from the perspectives of Modernism, postmodernism, (post) structuralism, socialism, semiotics, psychoanalysis, feminism, and so on.

參考文獻


Greenberg, Clement(1961).Modernist Painting.Arts Yearbook.4,101-108.
Greenberg, Clement(1961).Art and Culture.
Fried, Michael(1965).Three American Painters: Kenneth Noland, Jules Olitski, Frank Stella.
Schapiro, Meyer(1978).Moern Art: 19th and 20th Centuries: Selected Papers.
Guilbaut, Serge(1983).How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom, and the Cold War.

延伸閱讀