中國陶瓷的出土與傳世－以三國吳至西晉青瓷獅形器為例

The Excavation and Heirloom of Chinese Ceramics - A Study on the Celadon Vessels in the Shape of Lion from Eastern Wu to Western Jin

謝明良(Hsieh, Ming-liang) ； Yih-chuen Liao

《國立臺灣大學美術史研究集刊》 53期 (2022/09) Pp. i-ii+1

https://doi.org/10.6541/TJAH.202209_(53).0001

摘要

本文以三國吳（222－280）至西晉時期（266－316）浙江省越窯所燒造的青瓷獅形器為例，借由這類獅背負管有時被視為燭台、硯滴、插座或壟統地稱做辟邪之類的器物，省思歷史上的中國陶瓷不乏自燒成出窯之後歷經埋藏入土、發掘出土，經二次入土、二次出土而後傳世的現象，此一現象同時也涉及如何正確評估復古之作的課題。

關鍵字

越窯青瓷 ； 獅形器 ； 傳世 ； 傳世現象

並列摘要

This article focuses on celadon ceramic vessels in the shape of a lion produced in the Yue kiln in Zhejiang Province of China from Eastern Wu (222-280 A.D.) of the Three Kingdom period to Western Jin (266-316 A.D.). The sprout on top of this type of lion-shaped vessel is sometimes seen as a candle stand, an ink water-dropper, a socket, or generally referred to as a protective talisman to ward against evil. This essay takes the lion-shaped celadon vessels as a departing point to consider the phenomenon that historically Chinese ceramics, after their production, were sometimes buried, excavated, re-buried, re-excavated, then handed down for generations. This phenomenon also deals with issues on accurately evaluating antiquarian objects crafted based on antique models.

並列關鍵字

Yue kiln celadon ； ceramics in a lion shape ； heirloom ； the heirloom phenomenon

參考文獻

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