記憶編織與家國印記：《遺山樂府》之身世書寫

Memory Fabrication and Impression of Motherland: Life Experience in Yuan Hao-wen's "Yi-Shan Yuefu"

李德偉(Te-Wei Lee)

《東海中文學報》 22期 (2010/07) Pp. 53-75

https://doi.org/10.29726/TJCL.201007.0004

摘要

本論文以元好問《遺山樂府》爲主題，探討其中身世書寫的多重組合模式，主要歸納出四個面向，分別爲「進退失據的生命體驗」、「記憶編織與家國書寫」、「自我消解之身世書寫」、「香草美人與黍離麥秀之結合」。藉此探究於世變紛擾之際，元好問如何透過「書寫」來發聲，在漂泊與尋歸的過程中呈現其豐富的生命歷程，映現其特有的身世之感，並開啟《遺山樂府》的多元詮釋視角。

關鍵字

元好問 ； 遺山樂府 ； 世變 ； 身世書寫

並列摘要

This paper studies poems taken from ”Yi-Shan Yuefu” to illustrate Yuan Hao-wen's different modes of representation of his own life. The study reveals four aspects of Yuan’s life saga as the following: ”a sense of life as a dilemma,” ”memory fabrication and writing on motherland,” ”life as self cancellation,” and ”double identities: the beauty (loyal subject) and the outcast.” I explore how, in a time of disruptions and chaos, Yuan Hao-Wen uses writing as a way to speak for himself, representing a life rich with experience of migration and a constant longing for returning home. I hope to bring out the unique quality of Yuan Hao-wen's self-representation, and to initiate further readings of ”Yi-Shan Yuefu.”

並列關鍵字

Yuan Hao-Wen ； Yi-Shan Yuefu ； a time of disruptions ； Life-experience writing

參考文獻

金元好問、姚奠中主編、李正民增訂(2004)。元好問全集。太原:山西古籍出版社。

(2005)。文淵閣四庫全書。北京:商務印書館。

金元好問、趙永源校註(2006)。遺山樂府校註。南京:鳳凰出版社。

清淩廷堪(1996)。元遺山先生年譜。臺北:藝文印書館。

清翁方綱(1978)。金元遺山先生年譜。臺北:臺灣商務印書館。