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桂冠與荊蕀─全球化趨勢下臺灣新詩的走向

Laurel Crown and Thornbush: The Trend of Taiwan Poetry under Globalized Tendency

摘要


此文先就「巴斯卡的兩個深淵」,說明「全球思維」及「在地化」的限制,以及其與詩之曖昧特質的關係。並就詩的難譯性、不可譯性,指出以文字書寫詩作,具有跳脫「全球思維」的利基,即使文學的定義內容都受到了挑釁,但當以文字表現時,各族群的不同語言仍有可能自我保持清醒。本文後半並對臺灣三代詩人在全球化趨勢下,卻陷入政治上「混淆的認同」的原由作了分析,前行代詩人陷得最為嚴重、中生代次之、新生代最輕。最後對三代詩人詩風的轉變和走向,也作了追蹤和說明。

關鍵字

臺灣新詩 曖昧 兩個深淵 全球化 在地化

並列摘要


This article first explains the limit of ”the global thought” and ”Localization” based on ”Pasca's two abyss”, as well as its ambiguous special characteristic relations with the poetry. The nature of difficulty to translate the poem, and its untranslated part are favorable to escapinfg from ”the global thought”. The second half of this article is regarding with the Taiwan three generation of poets under globalized tendency who actually falls into politics ”the confusion approval”,the leading generation of poet to fall seriously, the Mesozoic Era to be next, the Cainozoic Era to be lightest. Finally this article has made tracing and the explanation of the transformation and trend of three generations of poet.

並列關鍵字

Taiwan poetry ambiguous two abyss globalization localization

參考文獻


巴斯卡(1970)。沉思綠。臺北:水牛出版社。
白靈(2006)。一首詩的誕生。九歌出版社。
白靈(1994)。煙火與噴泉。臺北:三民書局。
金淳基:〈混淆的認同〉, http://politics.soc.ntu.edu.tw/RAEC/act/samnuel%20kim.doc,2007 年5 月25 日。
張默編(1996)。臺灣現代詩編目(1949~1995)。臺北:爾雅出版社。

被引用紀錄


Lee, C. C. (2016). The Production of Creative Target Text and the Effect of Multimedia Version [master's thesis, I-SHOU University]. Airiti Library. https://www.airitilibrary.com/Article/Detail?DocID=U0074-0706201623152300

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