永恆的尋索－黃用詩的美學初探

The Quest for Eternity: On Asethetics of Huangyong's Poetry

林柏宜(Po-Yi Lin)

《臺灣詩學學刊》 18期 (2011/12) Pp. 81-101

https://doi.org/10.29813/TP.201112.0004

摘要

本文主要介紹一位五○年代的重要詩人－黃用，作為一個詩人，他有極高度的創作自覺，因此，寫作時間雖短（集中於1956-1960），但卻能創造出屬於自己的風格。本文即擬藉由文本分析的方式，歸納出黃用詩作的美學風格。他的詩，不論是藉由形式上音節或者頓的變化，或是透過內在的動來襯托靜的力量，都呈現出沈靜的美感；他認為詩的本質乃是一種超越時空的永恆，他追求完美和純淨，從里爾克那兒，他學到節制和忍耐；而藉著納蕤思（Narcissus）意象的運用，詩人高貴而孤獨的姿態也躍然紙上。概括地來說，黃用的詩表現了一種疏離感，相較於對現實環境的不甚關注，詩人似乎對那個屬於抽象理念的世界更感興趣，靜謐、智慧和永恆，成了詩人心中最完美的追求。

關鍵字

黃用 ； 里爾克 ； 靜 ； 永恆 ； 納蕤思（Narcissus）

並列摘要

This paper introduces a major poet of the fifties-Huang Yong. Huang's urge to create and to be a poet emerged at an early age. His career as a poet didn't start until lately, though. Most of his works were published between 1956 and 1960. With a unique touch, he created a style of his own. My paper tries to discover the power and beauty of his poems through text analysis.His poems reveal a beauty of serenity through pauses in lines and rhythm arrangement. The stillness and tranquility stand out with the constant shift and flow of the scenes. Huang holds that the essence of poetry lies in eternity going beyond time and space. Huang pursues perfection and purity. From Rainer Maria Rilke (1875-1926), he learns perseverance and tolerance. And through the use of Narcissus's imagery, readers can catch a glimpse of the poet's noble and solitary figure between lines.As a whole, Huang's poems present a sense of alienation from the real world. Rather indifferent to what's happening in the world, the poet seems to be more interested in a more abstract world. Serenity, eternity and wisdom are the ultimate perfection the poet yearns to pursue.

並列關鍵字

Huang Yong ； Rilke ； Serenity ； Eternity ； Narcissus

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