美感入詩，如真似新：葉維廉、杜國清之詩學理論提要

筆者以詩之本體（以詩核心為主）和詩之創作，做為本論文的雙重進路。至於本論文的實際內容，首先是以針對詩核心究竟為何的議題來加以開展。就此而言，葉維廉、杜國清都認為詩本體的核心內容為美感，亦即以知感均衡為最佳狀態的審美感受，是詩所不可缺少的關鍵─即使在詩核心的性質上，葉、杜二氏各有認定─前者認為詩核心應具有如物之真的特性，後者則強調詩應該要有一種獨特的想像之新。其次，在使詩成立的創作方法上，則因葉維廉、杜國清均承接其詩核心論的意見，故而在詩創作論上，葉、杜二氏最大的差別，就是對尋真與求新的不同堅持。因此，雖然葉維廉與杜國清皆以審美感受做為詩學理論的主軸，但各自又分別將「真」與「新」當成各自獨特的堅持。

關鍵字

美感；詩學理論；葉維廉；杜國清

並列摘要

The emphases of this dissertation are the essence of poetry and how to create poetry. First, the author thinks that Yip Wai Lim and Du Guo Cing both have an idea that the aesthetic perception is considered the core of poetry; however, there is an important divergence between Yip Wai Lim and Du Guo Cing. Yip Wai Lim believes that the core of poetry must be the true aesthetic perception, but Du Guo Cing thinks of the newfangled aesthetic perception as the core of poetry. Second, in my opinion, because Yip Wai Lim and Du Guo Cing have different thoughts about the core of poetry, they also establish dissimilar theories of creating poetry. For Yip Wai Lim, the most important principle of creating poetry is true to life, but Du Guo Cing change nature and reality when creating poetry. Consequently, although Yip Wai Lim and Du Guo Cing insist that the core of poetry definitely is the aesthetic perception, Yip Wai Lim develops the poetic theory of pursuing the truth but to advocate novelty is the characteristic of Du Guo Cing's poetics.