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鄭愁予的海洋詩

Cheng Chouyu's Ocean Poetry

摘要


海洋詩在鄭愁予早期的創作中居有相當重要的地位。在他總數三十三首海洋詩中,有63.6%的比例全集中於他早期出版的《鄭愁予詩集I:1951-1968》。緊接在覃子豪的《海洋詩抄》之後,鄭愁予的海洋詩為台灣的海洋詩寫作極早即奠下基石。本文分從意象、主題、語言與手法四個角度予以進一步探討鄭愁予海洋詩的底蘊。

並列摘要


Ocean poetry has a very important position in the early creation of Cheng Chouyu. In his total thirty-three ocean poems, there is 63.6% of all are concentrated in his earlier book ”Cheng Chouyu poems collection I: 1951-1968”. Immediately after the publication of Qin Zaihao's ”Ocean Poems”, Cheng Chouyu's ocean poetry set very early the conerstone in Taiwan ocean poetry writing. This article is divided from the four aspects-imagery, theme, language and device to further explore the connotation of Cheng Chouyu's ocean poetry.

參考文獻


朱自強編(2012)。海洋文學。青島:中國海洋大學。
朱學恕編、汪啟疆編(2002)。二十世紀海洋詩精品賞析選集。臺北縣:詩藝文。
李若鶯()。
尚光一(2010)。論唐詩中海洋意象的抒情價值。華夏文化。2010(3),31-36。
孟樊(1987)。浪子意識的變奏─讀鄭愁予的詩。文訊月刊。30,150-163。

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