論解嚴後江文瑜詩作中女性意識的轉變

Transformation of Feminist Consciousness in Chiang Wen-yu's Poems

梁慕靈(Rebecca Mo-ling Leung)

《臺灣詩學學刊》 33期 (2019/05) Pp. 143-182

摘要

江文瑜在解嚴後的詩歌創作具有強烈的女性意識，這跟解嚴後的文學場域關係密切，具有政治和性別方面的意義。自九○年代中期起，台灣多宗性騷擾和性侵事件，加上其後的性解放和女權運動，都令女性主義在學術界乃至整個社會引起廣泛影響，直至九○年代末，這種具後現代性和後殖民性的女性主義潮流才逐漸式微。在這種狀態下，江文瑜的詩集所建構的女性主體，如何以詩的形態，去回應台灣的文化和政治場域？本文將梳理江文瑜由《男人的乳頭》（1996）、《阿媽的料理》（2001）、《合掌》（2010）到《佛陀在貓瞳裡種下玫瑰》（2016）的各篇詩作，並連繫女鯨詩社成立及其相關詩作專輯，包括《詩在女鯨躍身擊浪時》（1998）、《詩潭顯影》（1999）、《震鯨－九二一大地震二週年紀念詩專輯》（2001）等，全面探討其詩作與解嚴後的文學場域的關係，並分析20 年來其詩作中女性意識的轉變。

關鍵字

江文瑜 ； 《男人的乳頭》 ； 《阿媽的料理》 ； 《合掌》 ； 《佛陀在貓瞳裡種下玫瑰》

並列摘要

Chiang Wen-yu strived to express a strong sense of feminist consciousness in her poems after the lifting of Martial Law. This articulation of feminist consciousness, which was closely associated with the literary fields during the Post-Martial Law Era, had significant implications within the realms of politics and gender studies. Since the mid-1990s, the emerging reports about sexual harassments and sexual assaults in Taiwan, together with a series of sexual liberation and feminist movements, have resulted in feminism exerting a more profound impact on both the academic community and the entire society. It was not until the end of the 1990s that the popularity of postmodern and postcolonial feminisms gradually declined. Under such circumstances, in what ways did the female subjects created by Chiang Wen-yu interact with the cultural and political fields of Taiwan in the form of poetry? This study seeks to examine the variety of Chiang Wen-yu's poetry collections, starting with Men's Nipples (1996), followed by A Ma De Liaoli (2001), He Zhang (2010), Fotuo Zai Maotong Li Zhongxia Meigui (2016), etc. The discussion will also explore the development of the Female Whale Poetry Society and its associated poems, such as Shi Zai Nüjing Yueshen Jilang Shi (1998), Shi Tan Xianying (1999), Zhenjing: 921 Dadizhen Er Zhounian Jinianshi Zhuanji (2001), etc. The primary goal of this study is to provide a holistic insight into the relationship between Chiang Wen-yu's poems and their corresponding literary fields during the Post-Martial Law Era. In addition, it will analyze how feminist consciousness has undergone transformation throughout her poems across 20 years.

並列關鍵字

Chiang Wen-yu ； Men's Nipples ； A Ma De Liaoli ； He Zhang ； Fotuo Zai Maotong Li Zhongxia Meigui

參考文獻

女鯨詩社編，《詩潭顯影》（台北：書林出版社，1999 年）。

女鯨詩社編，《震鯨——九二一大地震二週年紀念詩專輯》（台北：書林出版社，2001 年）。

皮耶‧諾哈等，《記憶所繫之處》（台北：行人文化實驗室，2012 年）。

江文瑜，《佛陀在貓瞳裡種下玫瑰》（新北市：遠景出版事業有限公司，2016年）。

江文瑜，《男人的乳頭》（台北：元尊文化，1998 年）。