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蕓朵現代詩之創作美學與「花」意象探析

The Aesthetics of Creation and the Image of Flowers in Yun Duo's Poems

摘要


蕓朵(1969-)身為學院學者與詩創作者的雙重身分,積極實踐兩方的學養與成就。本文研究蕓朵的詩觀、創作美學與詩作當中的「花朵」意象,從第一本詩集《玫瑰的國度》書名就可見花朵名稱,進而探究「花」之詩作。本文指出詩人運用許多「花」作為其創作意象的拓展媒介與傳遞方法,而以「玫瑰花」為大宗,從中分別討論詩人所要傳達的意義與內在情感,包括愛情、典故運用、青春與歲月的逝去與重返生機,還有藉不同花的型態與互動增添詩境,表達不同層次的展演狀態,凸顯其創作技巧的多元性與情感的寄託。

關鍵字

蕓朵 女性詩學 學院詩人 意象研究

並列摘要


Yun Duo (1969-), an academic scholar and poet, has actively pursued accomplishments in the two fields of her expertise. This paper probes into Yun Duo's poetic views, her aesthetics of creation, and the image of flowers in her poetic collection The Country of Rose. The title of the book features a flower, and this paper explores how the poet uses flowers as the medium for the expansion and transmission of her creative images, among which the rose reigns supreme. In analyzing the significance and inner emotions that the poet seeks to convey, this paper deals with the allusions, the theme of love, youth, the bygone days, and rebirth, arguing that Yun Duo highlights the diversity of her creative skills and the particularity of her emotions through the various interplays of different forms and the expression of different levels of poetic exhibition.

並列關鍵字

Yun Duo women's poetics scholar-poet flower image study

參考文獻


蕓朵:《玫瑰的國度》(臺北:釀出版,2012.12)。
蕓朵:《蕓朵截句》(臺北:秀威出版,2017.10)。
蕓朵:《雲間冥想:蕓朵詩集》(臺北:新世紀美學出版,2018.03)。
蕓朵:《紫色逗號:蕓朵詩集》(臺北:小雅文創,2020.06)。
李癸雲:《結構與符號之間:臺灣現代女性詩作之意象研究》(臺北:里仁書局,2008.03)。

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