明清俗曲（小曲）之曲牌名附加語探究

Investigation of the Tag-on Phrases of Ming-Qing Folk Tune Titles

張繼光(Chi-Kuang Chang)

《民俗曲藝》 177期 (2012/09) Pp. 117-159

https://doi.org/10.30157/JCRTF.201209.0003

摘要

俗曲自明清以來在民間頗為盛行，也因此產生了無數流行的曲牌。在這些曲牌的牌名中，常可見有冠上附加語的現象。本文即廣蒐相關文獻，透過分析、歸納、比較、詮釋、考證等方法，首先查考此種牌名附加語的類型，其次再舉難解之例進行考釋，最後則探討附加語對曲牌流行發展的影響，冀能釐清牌名附加語和原來曲牌名間錯綜複雜的相互關聯，提供俗曲曲牌相關研究者參考。

關鍵字

俗曲 ； 小曲 ； 曲牌 ； 四不應 ； 侉調

並列摘要

Folk songs had been well-loved during the Ming and Qing dynasties. Numerous popular tunes came into being as a result. Among these tune titles, one often finds cases where a tag-on phrase attached either before or after the title. In this article, I gather data from a wide variety of materials and through analysis, induction, comparison, interpretation and verification I study types of tag-on phrases. I then investigate a few tag-on phrases whose meanings require further examination. Finally, I discuss the influences tag-on phrases on the trend of the development of popular tune titles. My intent is to unravel the complicated and interwoven relations between original tune titles and tag-on phrases. It is hoped that this article will prove helpful to scholars studying folk tune titles.

並列關鍵字

folk songs ； tune titles ； sibuying ； kuadiao

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