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文化產業、文化治理與地方認同-以台灣新興的嘉年華為例

Cultural Industries, Cultural Governance and Local Identity: A Review of Emerging Carnivals in Taiwan

摘要


「全台飆節慶」乃為九零年代之後台灣新興的一種文化現象,其中充滿政府對於發展文化產業的想像與措辭,然而什麼是地方真正的文化?文化經濟是對誰而言?造福了誰?公共意見是否能在這些節慶過程中被顯現等等卻缺乏細緻審慎的討論。本文企圖政治性地來理解台灣文化治理的脈絡,理解八零年代末期開始的文化運動的美意與願景,如何變成當今政治上的去民主化與文化的民粹化現象。

並列摘要


”Taiwan whirlwind festivals” is the new cultural phenomenon after 1990s, which is full of rhetoric about cultural industries. But what is the locally ”real culture”? Is the cultural and economic term for whom? Who was benefited? Do the public opinions appear or not during those festivals? Those issues are lack of careful and meticulous discussions. This paper attempts to analyze the culture governance policies politically and historically, to show the cultural policy of generosity and vision in late 80’s, and how it brings about political de-democratization and cultural populism during these days.

參考文獻


Appadurai, Arjun(1990).Disjuncture and Difference in the Global Cultural Economy.Theory Culture Society.7,295.
Bang, Henrik P.(2002).Culture Governance: A New mechanism for Connecting System and Lifeworld.ECPR Joint Sessions of Workshops, workshop 6.(ECPR Joint Sessions of Workshops, workshop 6).:
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被引用紀錄


陳惠民(2009)。城市的文化拼貼術:台北市文化規劃之研究(1994-2008)〔博士論文,淡江大學〕。華藝線上圖書館。https://doi.org/10.6846/TKU.2009.01330
麥軒豪(2017)。新埔柿餅節活動識別設計創作〔碩士論文,中原大學〕。華藝線上圖書館。https://doi.org/10.6840/cycu201700581
黃珮甄(2013)。季節性節慶空間的現代性演繹─苗栗台灣燈會〔碩士論文,中原大學〕。華藝線上圖書館。https://doi.org/10.6840/cycu201300102
葉杏柔(2013)。行政與治理之間:從當代文化官僚角色重新看待威尼斯雙年展台灣館〔碩士論文,國立臺北藝術大學〕。華藝線上圖書館。https://doi.org/10.6835/TNUA.2013.00087
Wang, H. Y. (2014). 文化導向的公私合夥策略:以台北市迪化街再生行動為例 [master's thesis, National Taiwan University]. Airiti Library. https://doi.org/10.6342/NTU.2014.10332

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