傅狷夫對台灣戰後“官辦美展”評審影響力之研究－以“全省美展”與“全國美展”為例

The Man of Fu Juan-fu Observe the Research of the Influence to post-war" government-operated and beautiful exhibition" of Taiwan-To take "Taiwan provincial fine arts exhibition" and "Fine arts exhibit

林振莖(Chen-Ching Lin)

《視覺藝術》 7期 (2004/11) Pp. 1-34

https://doi.org/10.6960/VA.200411.0001

摘要

台灣的山水畫發展，在七○年代以後深受傅狷夫先生的影響，尤其戰後所出生的第一代年輕「本土」水墨畫家，受其「傅家山水」影響的更是不勝枚舉，使其影響力至今仍然存在。而其影響力透過台灣光復後舉辦的「全省美術展覽會」及「全國美術展覽會」深根茁壯，使其門生及學生在兩大展覽屢獲佳績，幷日後成爲展覽會的評審委員，影響之深不可謂不大。本文即期望透過歷史資料的比對與研究，以瞭解傅狷夫在此兩大全國性的展覽評審的影響力，而此影響力的發揮，可說是「傅家山水」對戰後台灣的山水畫發展能有深遠影響的原因之一。

關鍵字

傅家山水 ； 全省美術展覽會 ； 全國美展 ； 影響力

並列摘要

The landscape painting of Taiwan develops, ising affected by the man of Fu Juan-fu deeply after seven O'seses, the particularly post-war be born young and native painter of traditional Chinese painting in generation, is Fu Juan-fu by its what a landscape influence is also too many to enumerate, making its influence still existed up to now. And its influence through Taiwan the Taiwan provincial fine arts exhibition and Fine arts exhibition of the Republic of China that holds after recovering the deep root is sturdy, make its pupil and student got the outstanding score often in the two greatest exhibitions, and become judge's member of committee of the exposition in the days to come, affecting it and can't call deeply not greatly, make the external world often thought to have the teacher to look after the student's bad impression with this phenomenon. This text hopes in time through the ratio of the history data to and research, distinguish the source of the man of Fu Juan-fu influence in Taiwan provincial fine arts exhibition and Fine arts exhibition of the Republic of China by, in order to the true facts of the certificate fact.

並列關鍵字

Fu Juan-fu landscape ； Taiwan provincial fine arts exhibition ； Fine arts exhibition of the Republic of China ； influence