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論庾信〈哀江南賦〉的負面評價-以全祖望指其「失節」為論點

摘要


庾信其人及其作品的評價,自古自今,正面評價較多,然清全祖望認為庾信〈哀江南賦〉中「天醉」二句是為「自文」來埋藏自己「失節」的過失。吾意不然,竊以為此乃全氏對於當代的「裂冠毀冕」者感到悲憤,因而借古諷今,故其評論庾信乃基於自身的當代意識,有其時代侷限;再者,庾信身處動亂的時代中,既無鄉可歸,又不能隱居山林,在無可奈何之中,也只能仕北,且當時人對於奉事二朝似乎司空見貫;又全絕望言其「失節」,若無進一步的說明,是不合理的,況且庾信的心始終是傾向梁朝的,他的〈哀江南賦〉處處可以見其鄉關之思,庾信在亂世之中尚且還能時時自我反省,這是值得令人稱道的。

關鍵字

庾信 哀江南賦 負面評價 全祖望 失節

並列摘要


So far, although there are more positive evaluations than negative evaluations of Yu, Xin's character and his literatures, Quan, Zu-Wang from Ching Dynasty thought the two sentences, "Tian Zui", in Yu, Xin's "Ai Chiang-Nan Fu" are used to hide his immorality. However, three points are introduced in this paper as follows, the first is Quan, Zu-Wang's values is influenced by the value of Ching Dynasty; the second is Quan Zu-Wang's ignorance of Yu, Xin's situation; the third is Quan, Zu-Wang's ignorance of the value in the Liang Dynasty. Quan, Zu-Wang's point about Yu, Xin's immorality is not objective.

並列關鍵字

無資料

被引用紀錄


陳頤真(2006)。六朝之江南及其文學─以香草、山水與歸魂為主〔碩士論文,淡江大學〕。華藝線上圖書館。https://doi.org/10.6846/TKU.2006.00089
謝嘉文(2009)。《「穿戴腳鐐」與「掙脫腳鐐」的舞者之舞------姚鼐《古文辭類纂》與曾國藩《經史百家雜鈔》選文研究》〔博士論文,國立清華大學〕。華藝線上圖書館。https://doi.org/10.6843/NTHU.2009.00753

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