- 期刊
論陸機連珠文體的模擬與創新
The Imitation and Innovation of Lu-Ji's Lian-Zhu Literary Form
摘要
連珠文體在中國文壇上具一席之位，具文類獨立性。本文試圖由兩條脈絡進行探究，首先辨別文體源流，梳理連珠文體始末，認為先秦諸子的論證文章為連珠文類的形成階段，而從揚雄肇名，至曹丕諸文人所作的大量摹本出現，為文類演變的第二階段。陸機〈演連珠〉則引領第三階段，對連珠體進行創造性的轉化。再者，本文由陸機的模擬和創新觀著手，認為其模擬手法是構思時的最初階段，最終目的為創新、超越古人，不論從形式的「辭」或內容的「意」都可探究出他與古人對話的痕跡。並藉由考察自揚雄到陸機七家六十六首的連珠作品，歸納出該文類的支配性因素為「文小言約」、「辭意互相發明」，從細部比對，發掘陸機的模擬之跡及轉化前人作品的變造之法。
並列摘要
In this article, I attempted to research into Lian-Zhu literary form by two ways. First, I identified the origin and development of Lian-Zhu literary form. I think the argumentative writings of philosophers who live before Chin-Dynasty start the unformed Lian-Zhu genre. Then Yang-Xiong coined the noun-＂Lian-Zhu ＂, he led the trend of writing Lian-Zhu works. However, those followers can only after the fashion of Yang-Xiong's woks, there aren't an excellent work up to Lu-Ji writing the work, ＂Yan-Lian-Zhu＂ (演連珠) ,he transformed the conventions of Lian-Zhu genre inventively. Second, I tried to treat Lu-Ji's writing notion, To simulate predecessors' writing skills is the preliminary course of conception, and to surpass predecessors' writing skills is just Lu-Ji's purpose. In the end, I made a survey of seven authors' Lian-Zhu works, from Yang-Xiong to Lu-Ji. At last I found out the dominants of the Lian-Zhu genre-to be brief and cohering.
延伸閱讀
- 沈凡玉（2014）。從擬篇法論陸機對南朝詩人的影響。臺大中文學報，(45)，123-180。https://doi.org/10.6281/NTUCL.2014.06.45.04
- 陳雲樵（2022）。數位模擬在多軸機械手臂離線編程之軌跡校正應用之研究〔碩士論文，淡江大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0002-0603202221413200
- 葛光越（2006）。功能性組織與矩陣編組之整合模式研究－幻象戰機維修組織個案研究〔碩士論文，國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342/NTU.2006.02614
- 廖建智、何筱晨、林政傑、王仁傑（2020）。工具機機電整合模擬技術與應用。機械工業雜誌，(450)，79-80。https://www.airitilibrary.com/Article/Detail?DocID=P20171221002-202009-202009010025-202009010025-79-80
- 張錦德（2016）。The Study of Lu Ze-Zhi's Literary Writing On Outlying Island。中國文化大學中文學報，(32)，167-187。https://www.airitilibrary.com/Article/Detail?DocID=10238808-201604-201712010008-201712010008-167-187