論林幸謙《靈．性籤》的變形敘事－從「離散」到「性別越界」

＂Diaspora＂ to ＂Crossing Gender Boundaries＂

江怡瑄(CHIANG,YI-HSUAN)

《輔大中研所學刊》 42期 (2021/11) Pp. 579-594

摘要

《靈．性籤》出版於2017，為林幸謙新作。書中特別提及女性的「白色乳汁」與男性的「白色精液」，兩者皆不同於父權主義的「黑色筆墨」，一面說明了男／女性內在的他性特質，另一面有意模糊性別界線，最終目的是「去中心」，與資本、父權社會產生拮抗。過去關於林氏的研究多是離散身體、書寫越界，鮮少回到內容本身進行討論。本文以《靈．性籤》為探討核心，《狂歡與破碎》為輔，期能透由文本細讀，減少論述作者背後複雜的時代背景，借重巴特勒的「性別理論」，更深入地解讀林幸謙文本中的身體、身分、性別等特殊的變形敘事，嘗試為其散文書寫研究發展一點新意。

關鍵字

《靈．性籤》 ； 離散 ； 變形 ； 性別越界

並列摘要

＂Ling Xingqian＂ was published in 2017 and is Lin-Xingqian's new work. The book specifically mentions women's ＂white breast milk＂ and men's ＂white semen＂, both of which are different from the patriarchal ＂black ink.＂ On the one hand, he illustrates the inherent otherness of men/women, and on the other hand he deliberately obscures gender. The ultimate goal of the boundary is to ＂de-center＂ and antagonize capital and patriarchal society. Most of the research on Lin's body was to separate the body and write beyond the boundaries, and it rarely went back to the content itself for discussion. This article is based on ＂Ling Xingqian＂ and is the core of the discussion, and ＂Carnival and Broken＂ is supplemented. I hope to read through the text and explore the complicated background of the time during which the author was writing. With the help of Judith Butler's ＂gender theory,＂ we can further interpret the body in Lin Xingqian's text as special metamorphic narratives such as, identity, gender, etc., to try to develop a new idea for the study of prose writing.

並列關鍵字

＂Ling Xingqian＂ ； Diaspora ； Metamorphic ； Crossing Gender Boundaries