並列摘要
The period of the May Fourth Movement, intellectuals in China abundantly translated foreign literatures and introduced the Western Literary Realism. At that time, Henrik Johan Ibsen's Nora (also called A Doll's House) was also introduced into China and affected the theatres of China of that time. Most of theatre creators were men, therefore, women theatre creators were relatively infrequent and one of these was Bai, Wei (1894-1987). This paper first discusses Bai, Wei's the origin of literary creation and analyzes gender awareness in her representative work ＂Da chu you ling ta＂. At last this paper compares with Hu, Shi's ＂Zhong Juan Da Shi＂ and emerges differences of gender role portrayed which are paid attention to between men and women theatre creators.
參考文獻
延伸閱讀
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