This paper examines the aberrant propensity and nocturnal penchant of the Greek tragedian Euripides, who imbues Medea with a female Gestalt of despair, the darkening soul, and demanded therapy. Drawing from the polarized ideology of Greek gender protocols, and with reference to the Hegelian anatomy of madness, this article analyzes Medea as a woman outsider who encounters the encroaching and patriarchal Others of externality, unbudgingly clings to an engrossed pathos, reverts back to ”the feeling soul”, and commits herself to experiencing ”a double doubleness”. While applauding the poet's naked expression of female protest, this essay concludes that Euripides represents Medea's self-empowered defiance and ”barbarian” madness as a healing stratagem to enunciate the absolute demands of her self-identity, wish fulfillment, and required rehabilitation.