與傷痛共舞－職業雜技演員的身體經驗敘說

Performance in Pain: A Narrative of the Professional Acrobat's Body Experience

郭憲偉(Hsien-Wei Kuo) ； 郭金芳(Chin-Fang Kuo)

《大專體育學刊》 15卷1期 (2013/03) Pp. 1-11

https://doi.org/10.5297/ser.1501.001

摘要

本研究目的在於探究職業雜技演員學藝的身體經驗以及傷後復出之歷程，故立基於傷痛論點，且採以敘說研究方法，蒐集二位職業雜技演員的故事經驗資料並進行分析。結果顯示，雜技演員的訓練較以量化、僵化的練功為主，口令動作合一，量愈多、時間愈久，愈能奠定雜技演員基礎能力的養成，藉此累積經驗形塑出獨特的身體感。而當雜技演員受傷時，首先個體行為出現，面對的是身體組織損傷的不愉快感覺，隨之而來的是劇烈性疼痛感，隨著時間累積，開始學會面對它、接受它以及克服心理障礙。這個與傷痛共舞的身體，實際歷經「知痛→忍痛→隱痛→說痛→療痛」的過程。其次是人際關係行為，包括過往師徒承襲的使命感，與身為職業演員的那份臺上演出的責任感，以及面對同團成員間互相支持與確保安全的回應感激，皆讓傷痛的身體，畏懼的心靈，失衡的身體感，能夠漸漸被不斷強化的生理素質和自信的建立而淡去，同時相信自己且選擇重返舞臺展演。最後本文歸出結論：傷後復出的歷程，讓雜技演員體會身體、瞭解身體，並善待自己的身體；雖然，創傷記憶可能依舊存在，但他開始學會與傷痛的身體並存。

關鍵字

身體技藝 ； 創傷記憶 ； 疼痛層級

並列摘要

This study aimed to explore the deep body experiences of Taiwan professional acrobats' acquired-skills, and how they overcome from psychological obstacles and go back to the stage after getting hurt and recovering the body. Therefore, the narrative inquiry research method was employed. Two participants were asked to describe their body experiences of training, hurt and rehabilitation. The data were analyzed based on the pain concepts. The findings showed that acrobat's training procedure is a sort of quantification and rigidity. The unique body sense is developed as time goes on and experiences are accumulated. The acrobats' individual behaviors come up first when they get hurt. In addition, acrobats have an unpleasant feeling of bodily damage, and then followed with a severe pain. However, as time goes on, the acrobat learns to face it, accept it and overcome it. In fact, the painful body experiences the procedure of ”knowing the pain, bearing the pain, dulling the pain, speaking the pain and healing the pain.” The second level is interpersonal relationship behavior, including the sense of mission from the past master, the sense of responsibility as a professional performer and the response of appreciation from the group teammates' mutual support. Because of the painful body, dread mind and unbalanced sense of body would be dying away in the condition of strengthening physical quality and building up confidence, and then a decision of return-to-perform is made. It was concluded that the acrobats need to realize, understand and treat well their own bodies after experiencing the process of trauma, including body's collapses, a sense of lose, cures and rehabilitation. Although trauma memory could persist, the acrobats need to learn to live with the trauma.

並列關鍵字

bodily technique ； trauma memory ； pain levels

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