透過您的圖書館登入
IP:18.222.115.120
  • 期刊

幾何圖形對稱性之喜好調查

A Survey on Preferences of Geometrical Symmetry

摘要


本研究探討人對對稱圖形喜好的實驗調查。本文根據文獻探討之理論提出研究假設:人對「對稱」圖形有喜好的傾向,並以實驗「幾何圖形喜好調查」之結果,驗證研究假設,其實驗調查結果重點如下: 1.在幾何圖形喜好調查中,發現受測者普遍對對稱圖形的喜好程度較高,而對不對稱圖形的喜好程度普遍較低,對於不對稱但卻存有對稱操作模式之圖形,受測者對其喜好程度也較高,就整體而言,大多數受測者所喜好的圖形均具有對稱的特性。 2.就性別而言,男女對圖形的對稱與否,在喜好程度上看法一致,並無太大差異,兩者均對對稱圖形的喜好態度偏高,而對不對稱圖形的喜好態度較低。 3.就背景而言,受過設計或美術訓練的學生對於完全對稱的圖形喜好程度略低於非設計類學生,且較喜歡有變化的對稱圖形,例如不易辨別的對稱圖形以及具對稱操作模式的不對稱圖形,但兩者都對不對稱圖形喜好態度偏低。 4.就年齡層而言,小學生對於完全對稱的圖形喜好程度高於中學生及大學生,對於完全不對稱的圖形喜好程度則低於其他學生。 從文獻探討已得知人類在生長的形態上或思考、行為中,早已存有對稱的模式,而經本研究的實驗調查驗證,人對「對稱」的圖形也確實普遍存有喜好的傾向。本研究之結果可做為相關基礎研究或應用設計之參考依據。

關鍵字

對稱 實驗美學 認知心理

並列摘要


The study is to survey the preference of human beings for geometrical symmetry. The hypothesis in the paper is that human have a preference tendency for ”symmetrical” graphics. This hypothesis is examined by investigation of preferences toward geometrical grphics. The survey shows several results as following: 1. In the investigation of preferences toward geometrical grphics, the samples are favor of symmetrical graphics, and are in a lower degree of the preferences toward non-symmetrical graphics. There are also higher preferences toward non-symmetrical graphics with symmetrical composition patterns. Generally, most of the graphics are preferred by the samples have symmetrical charachteristics. 2. As to statistical analysis concerning genders, the degree of preferences toward symmetry of geometric graphics are in common with no significant difference that they display a higher preferences toward symmetrical graphics and lower toward non-symmetrical graphics. 3. Concerning the background of the samples, students with either art or design backgrounds had lower preference towards absolute symmetrical graphics than those without such backgrounds, and they are favor of symmetrical graphics with varieties, e.g., those uneasy-recognizable symmetrical ones, or non-symmetrical graphics with symmetrical composition patterns. Both groups with different backgrounds have lower preferences toward non-symmetrical graphics. 4. Regarding the age of the samples, elementary school students have higher preferences toward absolute symmetrical graphics than high school and university students, while a lower preference toward absolutely non-symmetrical graphics than those of the other students. In fact, ”symmetry” not only has an unconscious effect upon us but also offers a reference for relevant fundamental research and applied design.

參考文獻


王秀雄(1991)。美術心理學。台北:台北市立美術館。
朱光潛(1987)。文藝心理學。台北:漢京出版。
老子、王弼注(1990)。老子道德經。台北:文史哲出版社。
呂清夫(1984)。造形原理。台北:雄獅出版。
林書堯(1971)。視覺藝術。台北:維新書局出版。

被引用紀錄


林純如(2010)。應用蜂巢紙材於DIY 燈具設計〔碩士論文,國立臺北科技大學〕。華藝線上圖書館。https://doi.org/10.6841/NTUT.2010.00506
侯純純(2020)。華文編排設計元素之閱讀舒適性研究〔博士論文,中原大學〕。華藝線上圖書館。https://doi.org/10.6840/cycu202000845
陳彥彰(2020)。華人玩家對於角色造型風格之偏好探討-以電子遊戲英雄聯盟為例〔碩士論文,國立臺灣師範大學〕。華藝線上圖書館。https://doi.org/10.6345/NTNU202001025
廖唯雅(2019)。品牌與對稱美學的相遇:以獨特性需求與產品屬性為干擾變數〔碩士論文,國立清華大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0016-0206202016185234

延伸閱讀