蘇雪林之舊詩創作與新詩評論

A Study of Classical Poetry Composition and New Poetry Criticism by Su Xue-lin

吳姍姍(San-San Wu)

《東華人文學報》 17期 (2010/07) Pp. 89-126

https://doi.org/10.6420/DHJHS.201007.0089

摘要

蘇雪林早年享譽中國現代文壇著作為《綠天》與《棘心》，屬於新文藝創作；關於舊文學，則有詩集《燈前詩草》及散見日記集與報刊之偶作。《燈前詩草》的創作時代在晚清與民初之際，蘇雪林乃身經五四新文學運動之人，曾自言「余所為詩詞皆不足觀」，後又有新詩評論著作。本文透過蘇雪林之古典詩創作及新詩評論探討其對新舊詩的接納與排斥，蘇雪林以創作與評論的實際行動對新舊接替的時代作出回應。

關鍵字

蘇雪林 ； 燈前詩草 ； 舊體詩 ； 新詩 ； 五四時期

並列摘要

In her early years as a writer, Su Xue-lin was famous in the modern Chinese literary community for her works Lu Tian and Ji Xin, which can be categorized as part of her modern literary creation. As to her classical literary works, Su published a collection of poems entitled Teng-Chien-Shi-Tsao, literally meaning Writing Poems in front of the Lamp, and a number of poems scattered occasionally in her diary and newspapers. Teng-Chien-Shi-Tsao was composed at the juncture between the late Qing dynasty and the early years of the Republic. Being a writer who went through the May Fourth Movement, Su once remarked on her own work, ”All the poems I have composed are not good enough for people to read,” and subsequently came up with her criticism of modern poetry. This paper explores how Su Xue-lin accepted and rejected classical/modern poetry based on her classical poetry composition and modern poetry criticism, which can be seen as her concrete actions in response to the transition from the old to the modern age.

並列關鍵字

Su Xue-lin ； Teng-Chien-Shih-Tsao ； classical poetry ； modern poetry ； May Fourth Movement Period

參考文獻

蘇雪林(1967)。我的生活。臺北:文星書店。

蘇雪林(1982)。燈前詩草。臺北:正中書局股份有限公司。

蘇雪林(1977)。蘇雪林自選集。臺北:黎明文化事業股份有限公司。

鄔國平、王鎮遠(1996)。中國文學批評史‧清代卷。上海:上海古籍出版社。

梁啟超(1983)。飲冰室文集。臺北:臺灣中華書局。