附身．夢魔的想像空間－論澀澤龍彥的〈狐媚記〉與〈錯夢〉

The Fantasy Space of Possession and Nightmare: Shibusawa Tatsuhiko's ＂Kobiki＂ and ＂Yumetsigae＂

林淑丹(Shu-Dan Lin)

《台大日本語文研究》 27期 (2014/06) Pp. 109-128

https://doi.org/10.6183/NTUJP.2014.27.93

摘要

澀澤龍彥（1928-1987）是法國文學家，同時也以評論家、翻譯家、小說家著稱，在許多領域中都十分活躍。〈狐媚記〉（1982）與〈錯夢〉（1983）是澀澤龍彥晚年的短篇小說，同時收錄在〈睡美人〉（河出書房新社，1983）中。〈狐媚記〉與〈錯夢〉兩部小說共通的要素，可以說是以附身、呪術的幻妖世界為主題而展開的。本篇論文探討〈狐媚記〉與〈錯夢〉中，附身、呪術所建構之奇異世界的結構、夢在作品中的機制，以及〈錯夢〉中所描繪之窺視的特性。此外，亦審視這些問題與澀澤龍彥龐大的評論文集中所討論的主題，如何產生關聯。藉此探究澀澤文學的具體創作技巧。

關鍵字

澀澤龍彥 ； 附身 ； 夢 ； 窺視 ； 呪術

並列摘要

Shibusawa Tatsuhiko (1928-87) was an expert of French literature. He was also a critic, translator and novelist, being active in many fields. ＂Kobiki＂ (1982) and ＂Yumetsigae＂ (1983) are among his later works of short stories that were incorporated in his collection of short stories Nemurihime published in November 1983. Possession by spirits and incantations of a magical world are the common elements of ＂Kobiki＂ and ＂Yumetsigae,＂ fabricating a structure of the fantastic world. This article intends to examine the above two elements, possession and witchery, and the role dream vision plays, in particular, the peeping nature illustrated in ＂Yumetsigae.＂ These issues will be placed alongside with the themes discussed in the voluminous criticisms of Shibusawa Tatsuhiko and analyzed how they are related. This will form part of the holistic investigation of Shibusawa's creative techniques.

並列關鍵字

Shibusawa Tatsuhiko ； possession ； dream ； peep ； witchery

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