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論何景明詩論的內涵、實踐與美學特質-以沈德潛《明詩別裁集》爲範疇

On the Content, Practice, and Aesthetic Characteristics of Ho Ching-ming's Study of Poem: For Example by Shen De-qian's Ming Shih Bie Cai Ji

摘要


何景明是明代格調派的代表,其對格調派有深遠影響,因此本文先從何景明的詩歌復古理論出發,探討其復古詩論的內涵,瞭解其理論的創新與轉變之處,其次由沈德潛《明詩別裁集》中所選何詩49首為主,檢驗景明詩作的實踐是否與其詩論相合。之所以藉《明詩別裁集》一窺景明詩歌的內涵,是因沈德潛乃清代格調派之集大成者,其對格調派詩歌有深切的認識與瞭解,故所選49首詩應是景明的上乘之作,正因如此,故一方面藉選詩來檢驗景明詩論,一方面也藉以探討景明詩歌的美學特質。最後,則從文學與歷史的角度切入,評價景明在明代詩史的地位與影響。

關鍵字

何景明 前七子 格調派 復古派

並列摘要


Ho Ching-ming was the representative of Gediao School in Ming Dynasty, and his theory of poetry had significant influences to Gediao School. At first, I discuss Ho Ching-ming's neoclassical theory of poetry. Second, I choose 49 poetry in Ming Shih Bie Cai Ji, edited by Shen De-qian, to see the relation between his poetry and his theory of poetry. At Last, I evaluate his significance in poetic history in Ming Dynasty in aspects of literature and history.

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