- 期刊
論惲南田的畫學與美學思想
On Yun Nan-tian's Paintings Theory and Aesthetics Thinking
並列摘要
The painting thinking of Qing Dynasty painter Yun Nan-tian is highly aesthetic value. The painting thinking of Nan-tian elucidated the main justifications for landscape painting, which contains very rich and profound art and aesthetic thinking. Those aesthetic thinking mainly concerned in the creative author, artistic ontology, aesthetic standards and the multiple realm landscapes concept. It formatted the ”Elegant” painting theory of aesthetic realm.
延伸閱讀
- 白宗仁（2013）。感物吟志 莫非自然—談溯源與拓展─嶺南畫派特展。故宮文物月刊，(365)，104-111。https://www.airitilibrary.com/Article/Detail?DocID=NPMM10119078-201308-202001050013-202001050013-104-111
- 申惠豐（2010）。論吳明益自然書寫中的美學思想。臺灣文學研究學報，(10)，81-115。https://doi.org/10.6458/JTLS.201004.0081
- 周志煌（2022）。方東美論中國藝術之「玄覽直覺」與「廣大和諧」－兼述方東美、南懷瑾相關詩作之理趣。夏荊山藝術論衡，(13)，79-109。https://www.airitilibrary.com/Article/Detail?DocID=P20161108001-202203-202210060009-202210060009-79-109
- 邱偉雲（2010）。Memory, Body, Space: A Discussion of the Cultural Meaning of Ting Yun-peng's Three Religion Painting。新世紀宗教研究，9(2)，31-58。https://www.airitilibrary.com/Article/Detail?DocID=16843738-201012-201101130013-201101130013-31-58
- 王緯堯（2015）。Political concerns and allegorical aesthetics in the novels of Lin Yiyun〔碩士論文，國立清華大學〕。華藝線上圖書館。https://doi.org/10.6843/NTHU.2015.00108