This paper maintains that the two factors region and dialect make up another history of contemporary Chinese poetry from the microcosmic point of view, to which is testified by ”The Lyrical Basin”, a monograph by Jing Wen-dong. The transformation of contemporary Chinese poetry from 1980s to 1990s shows that the regional factor has played a role of aesthetic deviation while the dialectical factor acts as a medium when various regional factors penetrate into poetry writing.