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互文、空間與後設-論陳大為《再鴻門》的敘事策略

Intertextuality, Space, and Meta a Study on the Narrative Tactic of Chen, Da-wei's "Zai Hong Men"

摘要


敘事詩(Narrative Poem)指的是以敘事做為主體的詩文本,不同於一般的分行詩作,敘事詩的篇幅都常較多,經營上也側重於事件過程的發生結構;「史詩」(epic)的特性往往以敘事為主,多半以重要的歷史事件、民族部落、宗教傳說作為描寫主體,是一種時間向度較大的敘事文本。因而史詩本身可以被看作是一種大型的敘事長詩,以歷史、神話傳說、民族或部落做為敘述主體,作者的敘事視野與敘事策略,就變成史詩主題、價值以至於藝術風格呈現的重要核心。 西元1969年生於馬來西亞,現為台北大學中文系副教授的陳大為,是六字輩中相當特殊的詩人,他的作品主題幾乎都以歷史作為主軸,無論是原鄉馬來西亞得歷史發展,抑或是中國古代的歷史事件,幾乎都成為其筆下解構/重構的對象。陳大為的敘事詩作與史詩,並不採用傳統順敘線性的敘事方式,著重於對歷史情節的質疑與解消,並且在解消之後,繼續重組並再詮釋那段故事。而陳大為《再鴻門》詩集裡所呈現的敘事視野及文本意涵,在在看見其全新且複調的書寫嘗試,在文本與作者的相互滲透中,形成了一個龐大且細膩的敘述結構。 本文便以互文、空間與後設三個角度,分析陳大為奠定其敘事風格,以敘事實驗手法交互運用示範的詩集《再鴻門》作為討論對象,希望能夠就此詩集的文本,分析其敘事策略的多元運用,藉此彰顯陳大為在華語詩壇中敘事史詩創作的重要價值。

關鍵字

再鴻門 互文 空間 後設 敘事詩 史詩 解構 重構

並列摘要


The term ”Narrative Poems” indicates the poems that take narrative as subjects. Different from other sorts of poems, the narrative poems are usually longer in numbers of words, and the authors usually pay more attention on the structure of what happened while writing. While the term ”Epic” always focus on telling a story, most of which surround important historical affairs or the legends of tribes or religions. Somehow, we can take epic as a kind of narrative poem. The vision and tactic of narrative of the author becomes the important core of the epic's topic theme, value, even its aesthetic style. Chen, Da-wei, adjunct professor of Dept. Chinese of National Taipei University, who was born in Malaysia, 1969, is a very special poet in the 1960's generation. Almost all of his works take history as a core. No matter the history of Malaysia (his homeland) or ancient China become the object he deconstructs/reconstructs. Chen use alternative methods on his narrative poems and epics. He always questions and deconstructs the historical situations and, then, reconstructs and re-interpretation that story. The narrative visions and texture indications presented in His ”Zai Hong Men” reveals a whole new attempt in polyphonic text writing. A huge and delicate narrative structure was built in the interpenetration of text and author. This essay bases on Intertexture, Space and Meta to analyze Chen's ”Zai Hong Men”, which built up his narrative style, to find out its multiple usage of his narrative tactic. Through which, declare Chen's important value in narrative epic writing in the Chinese modern poem world.

並列關鍵字

Zai Hong Men Intertexture Space Meta narrative poem epic deconstruct Reconstruct

參考文獻


陳大為(1997)。再鴻門。台北:文史哲。
劉紀蕙()。,未出版。
王逢振(1988)。今日西方文學批評理論。桂林:灕江出版社。
Pred, Allan、許坤榮譯()。
(1999)。在想像與現實間走索:陳黎作品評論集。台北:書林。

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