當代中國文學及其敘事詩歌文體的確立－以1949年前後「中國人民文藝叢書」的編撰為例

在當代中國文學發展過程中，1949年前後組織編撰出版的的「中人民文藝叢書」等系列叢書，不僅通過既定的意識形態目的及其敘述實踐活動，完成了四十年代延安文藝及其藝術資源的「經典化」功能，同時又通過與政治權力的結合，建構並「規定了新中國的文藝的方向」及其美學規範與文類秩序。因此，本文試圖通過對「中國人民文藝叢書」等文學編撰活動的考察研究，探討「當代中國文學」藝術規範及其審美趣味與「新的人民的文藝」想像及其文體形式的關係；新的主題、新的人物與新的語言形式與敘事詩歌藝術形態的當代轉型及其文體的確立等，以及其承擔並參與建構的國家美學原則及其主體意識，對五六十年代到八九十年代的當代中國文學創作，包括不同時期敘事詩歌創作的「典範性」影響等「文學史」的研究內容。

關鍵字

中國人民文藝叢書；北方文叢；新的人民的文藝；當代敘事詩歌；國家美學規範

並列摘要

In the process of Contemporary Chinese Literature, the series of books editted and published around 1949 like the ”Collection of Chinese People's Literature and Art”, not only completed the classicalization of the 1940's Yan'an Literature and Art and its text resources by following some set ideological aims and narrative practice, but also ”set the direction of New China's literature and art” and constructed its aesthetical criterion and order of style by combining with political power. The following paper, by observing and studying the edition of the ”Collection of Chinese People's Literature and Art”, tries to probe into the relationship between the artistic norms & aesthetical taste of ”Contemporary Chinese Literature” and the imagination & writing styles of ”the New and people's Literature and Art”. Meanwhile, this paper focuses on some ”literary history” topics such as the establishment of new themes, new characters, new forms of language and the contemporary transformation and establishment of writing styles of epic, which participated in and helped construct the national aesthetical principles and subject consciousness and its influence on contemporary chinese literary creation from the 1950's to 1990's, including its ”model-like” influence on the creation of epic in different literary periods.