日對魔鏡幻化人生的陰暗女巫―馬華當代女作家黎紫書小說論析

A Witch who Face Mirror Every Day and Illusion the Life-The Study of Contemporary Mahua Female Writer Li Zishu' Novels

金進(Jin Jin)

《中國現代文學》 17期 (2010/06) Pp. 225-242

https://doi.org/10.29980/MCL.201006.0010

摘要

馬華女作家黎紫書是世界華文文學最值得期待的作家之一，從〈天國之門》〈山瘟》開始，她的作品對人性陰暗面的透析和挖掘就已經震動華文文壇，近些年來的微型小說，或對馬共歷史進行重讀，或對凡俗人世精心揣摩與書寫，或對宗教神學的體味與解構，都使得她的創作變得不可預測。本文選取藝術實踐、日常生活和神性解構三個角度，試圖對黎紫書小說的創作精神進行把握，勾勒出這位成名於大馬、盛名於臺灣、漂流在大陸的作家的創作心路。

關鍵字

藝術實踐 ； 凡世人生 ； 人性書寫 ； 神性解構

並列摘要

Mahua female writer Li Zishu is one of the most anticipated writers in world Chinese literature. Starting from 'Tian Guo Zhi Men' and 'Shan Wen', her works that analyse and explore the dark side of human nature have taken the Chinese writing circle by storm. Over the recent years, her mini novels, or the rereading of the history of the Malayan Communist Party, or the scrutiny and writing of the ordinary, mundane world, or her experience and deconstruction of religion and theology, all make her writing highly versatile. Through the perspectives of artistic practice, daily life and deconstruction of the divine nature, this paper attempts to grasp the creation spirit in Li Zishu's novels, outline the spiritual journey of the writing of this author, who shot to fame in Malaysia, then became well known in Taiwan and is now wandering in Mainland China.

並列關鍵字

artistic practice ； the ordinary, mundane world ； human nature's writing ； deconstruction of religion and theology

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