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農民工題材小說草根創作的發展與流變

The Creative Development and Evolution of Migrant Worker Novels by Grass-Roots

摘要


農民工題材小說草根創作的發展與流變可分為兩個階段。20世紀80年代是萌發階段。在這一時段內,創作較少,草根創作還未成為具有獨立形態的小說亞類,主題相對單一,不能深入透視生活。20世紀90年代是草根創作的發展階段,以1995年為界,可分為前後兩個階段。前期是草根創作的健康發展階段,在這一階段內,草根創作比較集中、真實反映地農民工打工生活,創作隊伍不斷壯大,新人不斷加入,部分作家脫穎而出。後期是分化發展階段。在這一階段內,草根創作指向分化、部分創作發生價值畸變,此時出現三種創作傾向:具有純文學傾向的創作、具有通俗文學色彩的創作、具有庸俗文學色彩的創作。進入21世紀後,農民工題材小說草根創作整體上已進入了調整階段。

關鍵字

打工小說 價值分流 發展 流變

並列摘要


The development and evolution of grass-roots creative can be divided into two phases. The 1980s is the germination stage. During this period, the creative is less, the theme is single, the writers are not able to be in-depth perspective on life, and the grassroots creative did not have an independent form yet. The 1990s is the developing stage. The creative in the 1990s can be divided into two stages by 1995. The fest dynasty is a stage for the creation to develop healthily. At this stage, the grassroots creativity is concentrated, and it reflected migrant worker life truly, the creative team kept on growing, and the new writers continued to join. The second dynasty is a stage of differentiation stage. At this stage, the value selection became different, the value began to distort. There appeared three tendencies: a pure tendency of creation, a creation of popular literature, literary creation of vulgarity. After entering the 21st century, grassroots creation has entered the adjustment phase.

參考文獻


楊宏海編(2007)。打工文學備忘錄。社會科學文獻出版社。
潘則泉(2007)。社會、主體性與秩序:農民工研究的空間轉向。社會科學文獻出版社。
楊宏海(2000)。打工文學視野中的打工文學。深圳文化研究。2
尹昌龍(2000)。大鵬灣的文學生產。深圳文化研究。2
李紅雨整理,「一種走向泛化的文學現象:打工文學」,《南方日報》,1996年2月7日

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