逍遙的風格與人格─李白對莊子接受的創造性詮釋

生命的際遇屢受在世環境的摧折擱踐，莊子透過為文發聲，將苦難析離出來，轉變成生命的一部分，形成創作的媒材。其語言不是低俗附庸般的唱和，不但能劃界自清於傭俗的凡人，且堅持保有對維護生命的一份尊嚴，能夠主動介入現實，以喧囂的筆法，替生命解構與重建，登臨俯蠍天地的瞬息萬變。李白更以柔性的詩歌訴求，揭露冥務中實存的經驗，勾勒存在的樣貌，進而省思存在的意義與價值。詩人採取經世的、介入的、觀察的態度，以各種語言肯定真理的普遍性，從詩境隱喻著心靈絕對性的其實。本文以牟宗三所論「主觀境界形態」、「作用的保存」為詮釋方法，將莊子與李白在風格與人格的做為匯通之釋論。在風格上，從人生的洞察、語言的開創、表達的奇妙，李白都有著莊子那樣獨特的自由風格；在人格上李白對莊子的接受，從遊戲、嘲諷、狂傲等面向，開出主觀境界的逍遙人格。他們是道家精神，各適其性的人生關懷，在風格即人格的表達上，其將「道」做了最好的詮解。

關鍵字

李白詩；莊子；逍遙；主觀境界形態；作用的保存

並列摘要

Frequent encounters of life living environment Cuizhe Phosphatfilter practice, Chuang Wen audible through to the analysis from the misery out into a part of life, the formation of creative media. its language is not vulgar vassal -like sing, not only from clear demarcation in the commission vulgar mortals, and insisted on maintaining maintain a dignity of life, the reality can be actively involved in the hustle and bustle of brushwork, for the life of deconstruction and reconstruction, boarding overlooking rapidly changing world. Li Bai 's poetry is more flexible to the demands of exposing Wat in deep existential experience, the presence of faces outline, and then reflect on the meaning of existence and value. Poets take statecraft, the intervention was observed attitudes in various languages is certainly universal truth, poetic metaphor for the soul from the absolute truth. In this paper, Mr. Mou Tsung-san, ＂the role of preservation＂ as the interpretation method, Zhuang Zi and Li Bai in style and personality as the Land of the release on. In style, from the insight of life, language, create, wonderful expression, as Chuang Tzu Li Bai have a unique personal style; acceptance of Li Bai in the personality of Chuang Tzu, from the game, mocking, proud and so oriented, open from my Happy personality. They are Taoism, and every man his life caring nature, in the expression of personality style that it will ＂Tao＂ to do the best interpretation solutions.