透過您的圖書館登入
IP:3.134.104.173
  • 期刊

隱喻即視覺化的語藝行動:網路時代談視覺語藝的古典根源

Metaphors as Visualized Rhetorical Acts: Exploring the Classical Roots of Visual Rhetorics in the Network Era

摘要


視覺化是網路傳播趨勢,而始終即視覺化嘗試的隱喻,不論形諸語言或圖像影像,皆為誘發認同的語藝行動。本文視隱喻為詩性之知的代表,為銜接傳統語藝與視覺語藝的關鍵。作者先循當代與古典兩路梳理既有隱喻理論,借Lakoff & Johnson、Ricoeur、Vico與Aristotle,突顯隱喻的常民性、經驗性與社群性對網路多媒體傳播研究的深意;接著探討視覺化對語藝學的意義,並以Arnheim的視覺創意研究,連結語言與視覺隱喻,盼能在日益視覺化的網路環境中促進媒介素養的反思。

並列摘要


This essay addresses the recent visual turn in communication research by exploring metaphors simply and directly as a visualization technique used by rhetors to engage audiences and induce cooperation. Treated as representative of poetic wisdom in contrast to scientific knowledge, metaphors serve well to bridge the gap between verbal rhetoric and visual rhetorics. Drawing on Lakoff & Johnson, Ricoeur, Vico and Aristotle, the author emphasizes the experiential and sociocultural characteristics of metaphors, which are highly relevant to our bodily existence and daily life. Then the significance of visualization in rhetorics and the role of both visual and verbal metaphors in the process are discussed. To enhance understanding of rhetorics as perception-based, the author refers to Gestalt psychologist Rudolf Arnheim for his rich study on visual thinking and expression creativity, thereby demonstrating that metaphors are not only at the core of communication competence but also are essential to multimedia literacies in the present network era.

參考文獻


沈錦惠(2006)。Walter Ong 看話語的科技史─評Walter Ong 的Orality and Literacy: The Technologizing of the Word。新聞學研究。88,173-181。
沈錦惠(2009)。電子語藝與公共溝通。台中市:天空數位。
周美雯()。
黃鈴媚、沈錦惠、曹開明(2014)。網路傳播社會中的「電子符號行動者」:從台灣國光石化案重構閱聽人之主體性。傳播與社會學刊。27,101-148。
Aldrich, V. C.(1968).Visual metaphor.Journal of Aesthetic Education.2(1),73-86.

被引用紀錄


何宛臻(2016)。漫畫閱讀的歷程初探:來自眼動追蹤的證據〔碩士論文,淡江大學〕。華藝線上圖書館。https://doi.org/10.6846/TKU.2016.00770
王孝勇(2018)。逆反時光、探訪視覺:視覺語藝的古典脈絡與其示現傳播研究與實踐8(2),213-248。https://doi.org/10.6123/JCRP.2018.07_8(2).0007

延伸閱讀