摘要
深究「風」之形象，攸關日本文學之深層探索。面對此大課題之際，本論文嘗試概觀文化流行現象「風」背景之後，取材同樣是以「風」命名的處女作品－日本現代小說家村上春樹聽風之歌（1979），探討其中描繪「風」之形象，繼之分門別類、整理分析，素描出其中與漱石文學間傳承、斷層、再生之相互關係。考察結果顯示：《聽風之歌》中，「風」架構了宇宙自然風物合而為一，超越生死的廣大無邊的宇宙觀。進而將村上春樹作品中常提及的漱石文學作品，例如與《我是貓》（1905）、《心鏡》（1914）作對比之後，更見到村上春樹獨特見解之處。透過「風」之形象所架構了宇宙自然風物合而為一、超越生死的廣大無邊的宇宙觀之深處，可以看出現代文明中，「風」之形象的追尋，與探究「生命」的本質的一致的。
並列摘要
Investigating the shape of ”Wind” leads to the depths search for the Japanese literature study. This thesis has taken up Haruki Murakami's debut work 'Listen to the song of the wind' (1979) in the research object. This thesis has focused the shape of the ”Wind” and classified them. And, the reproduction, etc. with the Soseki literature. As a result of consideration, in 'Listen to the song of the wind, ”Wind” that flows on the universe is a vast profundity outlook on the universe which transcends life and death. The shape of Wind is intentionally compared with Soceki's work, especially 'Mind' at the same time. Haruki Murakami has a peculiar opinion to the shape of ”Wind” This thesis is able to find the common feature that the modern civilization asks the essence of ”Life” in the relationship of ”Wind” to the basis of the outlook on the universe that integrated naturally by the transcendence of life and death.