透過您的圖書館登入
IP:3.144.176.149
  • 期刊

公共文化建設歷史性與變動性:以省美館到國美館建築空間發展為例

Historic and Variability of Public Cultural Construction: Case study on Architectural Spatial Evolution from Taiwan Museum of Art to National Taiwan Museum of Fine Arts

摘要


國立臺灣美術館(原「臺灣省立美術館」)開館三十五年來,承載臺灣美術史收藏、展示、研究與推廣重任,建築基地座落在臺中市都市規劃綠脈上,開館建築師以東西方多元觀點導入空間設計,卻未為省美館帶來正向國際聲譽,於開館10年後因軟硬體問題,面臨大規模整建,承接整復建之建築師如何針對建築法規、參觀動線、採光方式、消防安全等整修需求,創造融合新舊的建築語彙與空間型態。本文以歷史文獻、設計圖稿、田野調查,深度訪談等方法,瞭解省美館及國美館時期主責建築師詹耀文、楊家凱之設計思考及實踐挑戰,分析建築師對於空間型態及功能定位產生與演繹。研究結果發現整建後國美館試圖延續開館建築師之藝術與生活融合之理念,封閉舊大門遷移大門入口置中心位置,新建空橋連接南北通道,擴建下凹庭園新增防空避難空間,改造外牆增加南向採光替代天窗等,以多元設計觀點回應當代社會需求與美術館任務,其建築變動歷程可作為未來大美術館時代建築設計之歷史發展定位及建築設計思考觀點之借鏡與思考。

並列摘要


The National Taiwan Museum of Fine Arts (formerly the Taiwan Museum of Art) has been responsible for collecting, researching, exhibiting, and promoting Taiwanese art history for 35 years. Architecturally, the museum, which is located in the urban planning green belt of Taichung, exhibits a unique fusion of Eastern and Western spatial design. For various reasons, the museum required a major renovation 10 years after opening. The architects overseeing the renovation had to create new architectural vocabulary and a novel spatial form that integrated old and new to meet the requirements of building codes, specifically those concerning visitor circulation, lighting, and fire safety. This study used historical documents, design drawings, field surveys, and in-depth interviews to understand the design and practical challenges of the museum's architects, Chan Yao-wen and Yang Jia-kai. An analysis of the architects' production and interpretation of spatial forms and functional positioning revealed that they had attempted to continue integrating art with life, following the design concept of the original architect. The old entrance was closed and replaced with a centrally located one. A new sky bridge was added to connect the north and south passages, and an air raid shelter was added to the expanded sunken garden. The exterior walls were redesigned to add south-facing light, replacing skylights in response to contemporary design principles. The results of the architectural analysis of the renovation can be used as a reference for use in future urban historical development and in understanding the life cycle of fine art museum design.

參考文獻


連俐俐,《大美術館時代》(台北:典藏藝術家庭,2010年)。Lien, Li-Li. The Age of Mega-Museums of Art. Taipei: Diancan Art & Collection Ltd., 2010.
趙欣怡,〈策展論述〉,《國美4.0建築事件簿》主編黃舒屏,(臺中:國立臺灣美術館,2019年)。Chao, Hsin-Yi. Edited by Shu-Ping Huang. “Curatorial Essay.” Architectural Files of NTMoFA 4.0. Taichung: National Taiwan Museum of Fine Arts, 2019.
詹耀文,《前進的喧嘩:詹耀文教授榮退專輯》(臺中:東海大學建築系,2007年)。Chan, Yao-Wen. Multiplicity in Progress. Taichung: Tunghai University, Department of Architecture, 2007.
劉欓河,《美術館的籌備與營運》(臺中:臺灣省立美術館,1995年)。Liu, Dang-He. Preparation and Operation of the Taiwan Museum of Art. Taichung: Taiwan Museum of Art, 1995.
臺灣省立美術館,《展覽設備規劃研討小組第一次會議討論事項》(臺中:臺灣省立美術館,1985年)。Taiwan Museum of Art. Discussion of the First Meeting of the Exhibition Facilities Planning Research Group. Taichung: Taiwan Museum of Art, 1985.

延伸閱讀