李商隱審美觀的實踐

李商隱是晚唐詩壇最後的絕響，在深美閎約的詩歌花園，綻放綺旎多姿的璀璨之花。晚唐的社會氛圍、李商隱的悲劇意識、晚唐的審美觀，這三種因素錯綜交錯、渾融為一和諧又完美的風格，他繼承了中國傳統「緣情」說的精髓，接續屈原以驚彩絕艷為基調的悲劇精神，乃至巧妙轉化齊梁的華麗風調，最後更與其個人多舛顛波的際遇、時代政局的流離困頓相激發，終於激揚了他的情感，也啟迪了他的審美觀，使他淬鍊出以「悲」與「美」為主調的個人審美理論，更進而形成他的創作審美觀。時代與個人的風格在義山詩歌的理論與實踐中得到前所未有的和諧之境，那「美麗」的晚唐之殘陽落日；那「愁苦」的個人與家國的哀感悲情，終於在義山的作品中交融成沉博絕麗的審美觀。本論文將以此一沉博絕麗之審美觀為論述的起點，以李商隱的詩歌文本為探究的主體，深入其詩歌中具體的審美實踐，探究「沉博絕麗」此一審美觀所蘊涵之情感的質地及美麗與悲情之間所變化出的三種審美樣式，以論析其在審美實踐上的成就。

關鍵字

李商隱審美觀；悲與美；審美觀的實踐；沉博絕麗；美麗與哀愁

並列摘要

The poems of Li Shang-Yin in the late Tang Dynasty are the extremely beautiful ones. His poems represent Chinese poetry of the ”vague” and ”concealed” kind at its extreme. They illustrate how rich, complex, and condensed Chinese poetry can be in revealing, symbolism, and allusion. His unfortunate background in private life and political career and even the social and political upheaval aroused his deep concern. Traditional theory of poetry from Chu Yuan(屈原), Lu Chi(陸機), the poet of Chai Liang Dynasty(齊梁詩人) inspired him to establish his own estheticism on poetry. He holds the view that poetry is mainly an expression of personal emotion. He practiced his estheticism in his poems simultaneously and created the unique style, which ingeniously combined the deep lamentation with luxuriant splendor. In order to comment the aesthetic practice in Li Shang-Yin’s poetry, this thesis will be focused on the poems of Li Shang-Yin and try to analyze the estheticism of the poet on two points- the meaning of lamentation and the relation between lamentation and splendor. Through the thesis, we hope to identify the unique poetry estheticism of Li Shang-Yin and evidence its everlasting value in the literature world.