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Empathy and Its Others: The Voice of Asia, A Pail of Oysters, and the Empathetic Writing of Formosa

並列摘要


Two books published in the early 1950s, James Michener's The Voice of Asia and Vern Sneider's A Pail of Oysters, focused on the role that Americans could play in Cold War Asia. Michener's 1951 book of interviews stressed the idea that Americans needed to listen to the people of Asia in order to understand the region. Sneider's 1953 novel had as its protagonist an American reporter who traveled to postwar Taiwan to learn about the populace of the island. Both books emphasized the importance of face-to-face personal contact with common people, which the authors believed was instrumental to the creation and maintenance of cross-cultural understanding and regional peace. As such, they participated in a cultural rhetoric of empathy that would educate Americans about Asia and convince Asians of Americans' honorable intentions. The books also suggested that Americans in Asia had not only the privilege, but also the moral duty to represent Asia to other Americans through their writing. This paper, by looking into depictions of empathetic listening and writing in the two books, examines how A Pail of Oysters complicates Michener's treatment of Taiwan. In both works, Americans are granted moral authority as listeners and writers. In spite of the authors' emphasis on Americans listening to Asians, an important difference between them lies in the goals they set for listening. Michener's emphasis on Taiwan's role in the future of China is challenged by Sneide's on the socio-political situations in which the Taiwanese lived in the fifties. The reception of these books suggests that the power of the empathetic American writer to shape Americans' role in Asia was limited by the material, political, and discursive contexts in which it was situated.

參考文獻


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被引用紀錄


Murphy, D. (2016). 我的惡/善:對彌爾頓筆下革命英雄的善惡漸變演繹之詮釋 [doctoral dissertation, National Taiwan University]. Airiti Library. https://doi.org/10.6342/NTU201600481
車炎江(2005)。Sprechstimme風格探討--以荀貝格《月光小丑》為例〔碩士論文,國立臺北藝術大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0014-0902200711431800

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