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  • 期刊

通識課程:社會學視角下的婚姻觀察

General Education: Marriage Analysis from a Sociological Perspective

摘要


「電影」是一個最能反映社會現象,甚至可以說它是社會演變以及滿足群眾弖理需求最好的一面鏡子,像任何一個讓人欲罷不能的故事一樣,好的電影劇情總充滿著創造性和探究性,更是引導學生探究社會心理學理論後進而接受人文教育的極佳途徑。除了影像、聲音、動作、色彩與劇情魅力能提供感官的快感,更能透過敘事時震撼人心的鏡頭,提供學生完全不同於生活的劇情張力並提高學習興趣。本論文從戲劇分析、象徵互動、社會交換、社會滲透與親密關係五個面向切入,分析兩部影片在電影文本的社會心理意義。期待經由本文的研究能夠達成以下三個目的:1.透過電影反射現實生活中的各種社會議題。2.引導學生由電影社會互動的角度,去理解社會現象,探討電影內涵。3.提供學生關於社會生活的意義,認識電影傳達的意識形態。

並列摘要


"Cinema" serves as the best mirror to reflect upon society, its evolutions and the psychological needs of the people. As with any enticing story, a good movie always embeds creativity and meaning: a fit path to guide students in understanding social psychology and open them up to humanities education. Through the use of imagery, sound, movement, color and plot-turns, cinema provides more than physical exhilaration: visual narration through shots and angles also provides students with sensational experiences apart from daily life, motivating interests in learning. This thesis analyzes two movies in the context of social psychology significances from five angles: drama analysis, symbolic interaction, social exchange, social penetration, and intimacy, accomplishing three objectives: 1. To reflect upon real-life social issues through cinema. 2. To cultivate students' understanding of social phenomenon and exploration of meanings in movies, through social interactions in cinema. 3. To provide students with insights into social life, and recognition of ideologies in cinematic expressions.

參考文獻


王文正(2011)。電影文化意象。秀威。
陽琪譯、陽琬譯(1995)。婚姻與家庭。桂冠圖書公司。
劉立行(2005)。影視理論與批評。五南圖書公司。
潘淑滿(2002)。質性研究─理論與應用。心理。
蔡文輝(1987)。家庭社會學。台北:五南圖書公司。

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