儒釋道思想對中國書法藝術之影響探微

思想會影響一個人的行為模式與價值判斷，對藝術文化也具有深刻的感染力。儒釋道三家的思想，影響中國文化至深，滲入中國人的思考模式及為人處世的準則，在書法藝術上的影響力，亦占一席之地。儒家強調內聖外王，品端書正，字如其人，心正則筆亦正。書法藝術所強調的中庸，也是受到儒家思想的浸潤，過猶不及，皆失之偏頗，難成佳構；道家的思想文化揉和有無互補、虛實調合的概念，有中帶無，虛中含實，變化萬千。道家自然無為思想，也深融書道之中；此外，佛教禪宗中所談的色空不執、追求悟境，對中國的書法藝術，亦至關重要。儒釋道三家的思想與華人的文化密不可分，在中國的書法藝術中，也因融入三家的思想而讓書道文化更豐富多元，歷久彌新。

關鍵字

儒家；釋家；道家；思想；書法藝術

並列摘要

Thought can affect a person's behavior patterns and value judgments, and have a profound appeal to art and culture. The thought of Confucianism, Buddhism and Taoism have profoundly influenced Chinese culture for thousands of years, and they have a place for Chinese people to thinking mode, the rules of human life and even the influence of calligraphy art. Confucianism emphasizes the inner sagelihood and outer kingliness, the decent character goes along with good writing, the word is like the person, and the calm mind goes along with right brush strokes. The moderation emphasized by calligraphy art is also infiltrated by Confucianism. Too much or insufficient writing skills can hardly be a good calligraphy. The Taoist ideology and culture knead the concept of being and nonbeing complementing each other as well as nothingness and reality being mutually coordinated. Being contains nonbeing. Nothingness carries reality. There are thousands of changes. The inaction and naturalism thought of Taoism is deeply integrated into calligraphy. In addition, no attachment in form or emptiness and pursuing the realm of enlightenment in Buddhism Zen is also of vital importance to Chinese calligraphy art. The thought of Confucianism, Buddhism and Taoism are inseparable from Chinese culture. In Chinese calligraphy art, the integration of these three kinds of thought makes calligraphy culture richer and more diverse, and it remains without aging and becomes even newer as time goes by.